Thursday, December 30, 2010
Thursday, December 23, 2010
Soundblaster Mit Optic In Sb0480
L'importanza delle Tradizioni
advantage to deliver an output of work, on the way back I stop hyper confidence, that in these busy days, between the Dragons and Lady lusty, organize the time for shopping - no mere survival superfluous-is more complicated than a ménage à trois illegal in all but one are known.
grab the basket with ferocity as if you were driving a heavy tracked ready to trample anyone who gets in my way between the short time available and a shopping list printed clearly in mind.
No, there will be those sbrillucicanti decorations that everyone wants to grab to slow down, nor il percorso ad ostacoli messo in atto dai commessi tramite muraglioni di cemento armato rivestiti di tavolette di cioccolato in tutte le varazioni di gusto possibile, e neppure quei torroncini sfiziosi che rivestono il pavimento come tante bucce di banana sulle quali scivolare. Sfonderò il muro di contenimento del gruppone delle casalinghe chiattone e pettegole che si litigano l'ultima offerta del Paghi 1&Svuota lo Scaffale , non mi farò intenerire dalla coppia di vecchiardi che bloccano il traffico della corsia andando a 1 km all'anno, swroom! bonk! - ops!, devo aver tirato sotto un gatto. Forse.
Eccola lì la perfida, la commessa in castigo che deve costringere i clienti a comprare il latte fresco per avere in omaggio lo yogurt in scadenza, cerca di fare la furba per tendere un'imboscata a tradimento mimetizzandosi con l'angolo dello scaffale, ma si è dimenticata che quello che ha lì vicino è lo scaffale dei sughi & pelati e per non essere notata avrebbe dovuto spostarsi verso il reparto dei cioccolatini, dal momento che sembra rivestita con la carta dei Ferrero Rocher.
"Latte fresco per lei signore e due confezioni di yogurt Tutti Frutti in omaggio che le fanno tanto bene!" gracchia luminosa come un Gianduiotto gigante l'Arpìa tentatrice.
"No grazie, sono già acido di mio, al naturale", rispondo, ma nel mentre vengo distratto da un avvallamento che fa deviare, per un attimo, il dritto procedere trolley-tracked. But you see that uncivilized, who has never thrown to the ground all the gold foil as if it were waste paper!
control the remaining time available, starting the products available in the cart from the list and I start towards the end of my business. Panettone? No, I'm not interested panettone.
!
The tins of the new Evil Cat!
I must get one, it will take some 'time to select the best because it is definitely someone dented, but it's Christmas, we are all better and then certain traditions should be maintained: it will be my shameful little secret.
I want the Greetings to all dear friends who have gone to visit here in recent times silent, to those that have occurred by chance and later became captivated and have become new friends for me and also to those who arrived and moved away quickly, the latter is better to lose them! All
still a wish of Happy Holidays, whatever the personal value that each of you associated with those days.
17. Sony Network Camera Snc?
RITA PAVONE - very strongly
With a leap 'musical-dissociative' , On the verge of schizophrenia (electronics Twist'n'Pop '80s to the '60s), it is the last post of 2010.
With a leap 'musical-dissociative' , On the verge of schizophrenia (electronics Twist'n'Pop '80s to the '60s), it is the last post of 2010. The artist in question is a true example of professionalism in music, essential nazionalpopolare column of Italian pop music.
From Turin, the tiny RITA PAVONE was one of the most Italian singers who represented us, since the '60s, at the international level, gaining popularity, acceptance and success in every part of the planet.
debut at the age of 14 years, his career began when, in 1962 partecipa al 'Festival degli Sconosciuti' di Ariccia dove propone "Ogni giorno" , cover di una hit di Paul Anka , vincendo la manifestazione .
L'organizzatore (e futuro inseparabile partner Teddy Reno) le fa firmare un contratto con la Rca , permettendole di incidere un 45 giri contenente "La partita di pallone" e nel retro "Amore twist" .
Fisicamente molto piccola ed esile , lentigginosa e con una parlantina incoercibile (insomma non proprio una 'pin up' da copertina) , partecipa al programma televisivo 'Alta pressione' con Gianni Morandi , uno show rivolto al pubblico più giovane e desideroso di ballare nuovi ritmi , ottenendo subito un notevole successo .
Nel '63 la Rai la invita a sostituire Mina (in pregnant) the conduct of the television show 'Studio One'.
Here the young 'carrot' (the nickname that will bring good fortune) has launched two hit singles "Like you there is no one" and "At my age," memorable songs for the Peacock with evidence of huge sales around the world ( his songs always come out in different languages \u200b\u200bfor foreign markets).
RCA to market the first self-titled album "Rita Pavone". In the summer the singer releases new single "Heart" (cover of "Heart" by Wayne Newton) and in back presents "The Brick Dance", repeating the success last year.
The disc then sold over a million copies, so much so that the singer, as mentioned above, to engrave in English, German, English and French, finished in the top of the charts in Europe.
Rita Pavone on the success accomplished numerous tours abroad and participated in several TV shows.
Towards the end of the year released a new album titled "It's not easy to have eighteen", in Germany the single "Wenn ich ein junge war" seven hundred thousand copies sold well.
In 1964 he recorded "Give me a hammer" a 'Surf' cover of "If I Had a Hammer" wins that depopulated and young people across Europe.
The back of the proposed single "What I care the world," the soundtrack of the film "Boredom."
After the singles "Burn" and "My Love" in 1965 the U.S. market accounts for the single "Remember Me," an extraordinary success, which allows it to hold a concert at Madison Square Garden in New York, meet Elvis 'The Pelvis' Presley and be invited seguitissimo the 'Ed Sullivan Show'.
Back in Italy, The Peacock wanted to experiment with other forms of entertainment.
Directed by Lina Wertmuller plays the part of Gian Gale in the TV drama from the "Newspaper of Gian Gale."
The role of the famous boy 'pestiferous' made it very popular among children and allowed her to return to the charts with "Viva la pappa col pomodoro", symbol of the drama.
The song was composed by Wertmuller with music by Nino Rota, arranged by Luis Enriquez Bacalov, the album "John Gale" containing many of the songs taken from trasmissisone television.
the same year he won the Peacock 'Cantagiro' with the song "He", that reaches the top of the league Italian.
After acting in movies (even next to the great Totò) and their presence in various television in 1966, returns to being one of the leading ladies of 'Studio One', where he presented "The Geghegè and "Fortissimo", sparked a Twist on the first, a beautiful and memorable romantic second theme, songs that got a huge success.
In the same year he published a second album in America having a chance to sing with the greatest American stars, the RCA released three albums "Tonight Rita", "Your Rita ',' E 'was born a star."
Cantagiro to Participate in 1967 with the song "This Love of Ours", are also published two more albums, "It takes a little" and "Little Rita in the West" from his self-titled film with Terence Hill, Lucio Dalla with whom he duets.
also plays the movie "Do not tease the mosquito" by Lina Wertmuller with Giulietta Masina and Giancarlo Giannini.
After a contract with Ricordi, affects the famous "Pippo does not know" which thus becomes the program 'Who knows who knows' led by Febo Conti, which was a moderate success.
In 1968, it affects the Ritaland, a label affiliated to remember and use from now on for a lot of the Pavone recordings for children.
In 1970 he released the album "Rita '70" for the Memories, then returned to the RCA is in the Festival of Sanremo with the song "Ah, ah boy," but is eliminated. Subsequently released the single "Stay with me" cover of "Stand by me".
From Turin, the tiny RITA PAVONE was one of the most Italian singers who represented us, since the '60s, at the international level, gaining popularity, acceptance and success in every part of the planet.
debut at the age of 14 years, his career began when, in 1962 partecipa al 'Festival degli Sconosciuti' di Ariccia dove propone "Ogni giorno" , cover di una hit di Paul Anka , vincendo la manifestazione .
L'organizzatore (e futuro inseparabile partner Teddy Reno) le fa firmare un contratto con la Rca , permettendole di incidere un 45 giri contenente "La partita di pallone" e nel retro "Amore twist" .
Fisicamente molto piccola ed esile , lentigginosa e con una parlantina incoercibile (insomma non proprio una 'pin up' da copertina) , partecipa al programma televisivo 'Alta pressione' con Gianni Morandi , uno show rivolto al pubblico più giovane e desideroso di ballare nuovi ritmi , ottenendo subito un notevole successo .
Nel '63 la Rai la invita a sostituire Mina (in pregnant) the conduct of the television show 'Studio One'.
Here the young 'carrot' (the nickname that will bring good fortune) has launched two hit singles "Like you there is no one" and "At my age," memorable songs for the Peacock with evidence of huge sales around the world ( his songs always come out in different languages \u200b\u200bfor foreign markets).
RCA to market the first self-titled album "Rita Pavone". In the summer the singer releases new single "Heart" (cover of "Heart" by Wayne Newton) and in back presents "The Brick Dance", repeating the success last year.
The disc then sold over a million copies, so much so that the singer, as mentioned above, to engrave in English, German, English and French, finished in the top of the charts in Europe.
Rita Pavone on the success accomplished numerous tours abroad and participated in several TV shows.
Towards the end of the year released a new album titled "It's not easy to have eighteen", in Germany the single "Wenn ich ein junge war" seven hundred thousand copies sold well.
In 1964 he recorded "Give me a hammer" a 'Surf' cover of "If I Had a Hammer" wins that depopulated and young people across Europe.
The back of the proposed single "What I care the world," the soundtrack of the film "Boredom."
After the singles "Burn" and "My Love" in 1965 the U.S. market accounts for the single "Remember Me," an extraordinary success, which allows it to hold a concert at Madison Square Garden in New York, meet Elvis 'The Pelvis' Presley and be invited seguitissimo the 'Ed Sullivan Show'.
Back in Italy, The Peacock wanted to experiment with other forms of entertainment.
Directed by Lina Wertmuller plays the part of Gian Gale in the TV drama from the "Newspaper of Gian Gale."
The role of the famous boy 'pestiferous' made it very popular among children and allowed her to return to the charts with "Viva la pappa col pomodoro", symbol of the drama.
The song was composed by Wertmuller with music by Nino Rota, arranged by Luis Enriquez Bacalov, the album "John Gale" containing many of the songs taken from trasmissisone television.
the same year he won the Peacock 'Cantagiro' with the song "He", that reaches the top of the league Italian.
After acting in movies (even next to the great Totò) and their presence in various television in 1966, returns to being one of the leading ladies of 'Studio One', where he presented "The Geghegè and "Fortissimo", sparked a Twist on the first, a beautiful and memorable romantic second theme, songs that got a huge success.
In the same year he published a second album in America having a chance to sing with the greatest American stars, the RCA released three albums "Tonight Rita", "Your Rita ',' E 'was born a star."
Cantagiro to Participate in 1967 with the song "This Love of Ours", are also published two more albums, "It takes a little" and "Little Rita in the West" from his self-titled film with Terence Hill, Lucio Dalla with whom he duets.
also plays the movie "Do not tease the mosquito" by Lina Wertmuller with Giulietta Masina and Giancarlo Giannini.
After a contract with Ricordi, affects the famous "Pippo does not know" which thus becomes the program 'Who knows who knows' led by Febo Conti, which was a moderate success.
In 1968, it affects the Ritaland, a label affiliated to remember and use from now on for a lot of the Pavone recordings for children.
In 1970 he released the album "Rita '70" for the Memories, then returned to the RCA is in the Festival of Sanremo with the song "Ah, ah boy," but is eliminated. Subsequently released the single "Stay with me" cover of "Stand by me".
He also participates in 'Canzonissima' with "Free at last," a piece which shows a coming of age of interpretation.
Two years later, in '72, returns to the Festival of Sanremo for such an excellent "Friends never", but was again eliminated. In the same year released the single "Love my boy but gets very little success.
In 1975, affects the album "Rita for all" where she played some popular songs from the '60s (like "Tied to a grain of sand" and "Empty City").
Da questo album viene tratto il singolo "Sapore di sale" di Gino Paoli che presenta nel retro la romantica"Amore scusami" . L'album pubblicato in Brasile ottiene un ottimo successo e la canzone "Io che amo solo te" di Sergio Endrigo da lei magistralmente interpretata diventa sigla di una telenovela di successo .
Two years later, in '72, returns to the Festival of Sanremo for such an excellent "Friends never", but was again eliminated. In the same year released the single "Love my boy but gets very little success.
In 1975, affects the album "Rita for all" where she played some popular songs from the '60s (like "Tied to a grain of sand" and "Empty City").
Da questo album viene tratto il singolo "Sapore di sale" di Gino Paoli che presenta nel retro la romantica"Amore scusami" . L'album pubblicato in Brasile ottiene un ottimo successo e la canzone "Io che amo solo te" di Sergio Endrigo da lei magistralmente interpretata diventa sigla di una telenovela di successo .
Sempre nel '75 , Rita Pavone torna inoltre a cimentarsi con il teatro dove con Erminio Macario propone "Due sul pianerottolo" che ha un enorme successo e diventa anche un film .
Dopo altri singoli , album e partecipazioni televisive arrivano gli anni '80s , parte così per un tour in Giappone , Stati Uniti , Australia , Brasile e Canada .
Dopo tutti questi anni , per la Pavone sembra non essere arrivata alcuna parabola discendente , magari non ha più le vendite del primo periodo , ma nonostante tutto mantiene alta la propria celebrità con ancora molti fanclubs , sparsi per il mondo .
Nel 1985 incide l'album "Dimensione donna" , un disco importante tra i moltissimi album da lei pubblicati , al cui interno sono presenti due ottimi brani quali "Crisi di identità" ed "Anni impazienti" .
Nel 1990 esce l'album "Gemma e le altre" , album che vede Rita 'cantautrice' in all respects.
Dopo altri singoli , album e partecipazioni televisive arrivano gli anni '80s , parte così per un tour in Giappone , Stati Uniti , Australia , Brasile e Canada .
Dopo tutti questi anni , per la Pavone sembra non essere arrivata alcuna parabola discendente , magari non ha più le vendite del primo periodo , ma nonostante tutto mantiene alta la propria celebrità con ancora molti fanclubs , sparsi per il mondo .
Nel 1985 incide l'album "Dimensione donna" , un disco importante tra i moltissimi album da lei pubblicati , al cui interno sono presenti due ottimi brani quali "Crisi di identità" ed "Anni impazienti" .
Nel 1990 esce l'album "Gemma e le altre" , album che vede Rita 'cantautrice' in all respects.
The album songs are worthy of note, including "Love in the middle", "Women still women who walk" over "Gemma" and its theme of homosexuality.
In 1991 he was a guest star Cristiano Malgioglio album titled "Friends" and two years later, Rita is present at the Copa Room at the Casino in Atlantic City with Cher, Frank Sinatra and Whitney Houston, in 1994 Pavone recorded a live entitled "Rita is magic" from the show held on the occasion of his thirty years of his career.
In 1997 he wrote "In my small ", a book that traces the stages of his career back in 2000 and starring at the theater for" The Road "by Federico Fellini, directed by Filippo Crivelli.
is presented at the Festival di Sanremo 2005 to sing with Toto Cutugno and Annalisa Minetti in the song "Like us, nobody in the world", in the special evening which sees the participants bring their original song in a different way from execution.
After a lifetime of do concerts around the world, on uring the transmission of Rai Uno 'The coming year', which has marked the coming of New Year 2006 , ha reso ufficiale la scelta di ritirarsi .
Il 6 ottobre 2010 Rita Pavone torna nuovamente in pedana , come uno degli ospiti al concerto di Renato Zero , in occasione dei 60 anni del bravissimo Artista Romano .
In quell'occasione ha cantato , con la grinta e la dolcezza di sempre ed una voce atrettanto strepitosa , alcuni suoi grandi successi come "Cuore" , "Fortissimo" , "Come te non c'è nessuno" ed infine la scatenata cover "Mi Vendo" di Renato Zero .
Il suo sito ufficiale sembra annunciare un nuovo album per il 2011 .
A career infinite, full of polyglot productions, national and international acclaim and awards, yet pluricelebrata Web, Rita Pavone is one of the most important voices of the Italian National Light Music, a serious professional that we must be proud and grateful.
As you there is no.
http://www.megaupload.com/?d=U18Q4Q9O
"... The history of the past, now have it taught that a people hungry is the revolutionary new ... "
In 1991 he was a guest star Cristiano Malgioglio album titled "Friends" and two years later, Rita is present at the Copa Room at the Casino in Atlantic City with Cher, Frank Sinatra and Whitney Houston, in 1994 Pavone recorded a live entitled "Rita is magic" from the show held on the occasion of his thirty years of his career.
In 1997 he wrote "In my small ", a book that traces the stages of his career back in 2000 and starring at the theater for" The Road "by Federico Fellini, directed by Filippo Crivelli.
is presented at the Festival di Sanremo 2005 to sing with Toto Cutugno and Annalisa Minetti in the song "Like us, nobody in the world", in the special evening which sees the participants bring their original song in a different way from execution.
After a lifetime of do concerts around the world, on uring the transmission of Rai Uno 'The coming year', which has marked the coming of New Year 2006 , ha reso ufficiale la scelta di ritirarsi .
Il 6 ottobre 2010 Rita Pavone torna nuovamente in pedana , come uno degli ospiti al concerto di Renato Zero , in occasione dei 60 anni del bravissimo Artista Romano .
In quell'occasione ha cantato , con la grinta e la dolcezza di sempre ed una voce atrettanto strepitosa , alcuni suoi grandi successi come "Cuore" , "Fortissimo" , "Come te non c'è nessuno" ed infine la scatenata cover "Mi Vendo" di Renato Zero .
Il suo sito ufficiale sembra annunciare un nuovo album per il 2011 .
A career infinite, full of polyglot productions, national and international acclaim and awards, yet pluricelebrata Web, Rita Pavone is one of the most important voices of the Italian National Light Music, a serious professional that we must be proud and grateful.
As you there is no.
http://www.megaupload.com/?d=U18Q4Q9O
"... The history of the past, now have it taught that a people hungry is the revolutionary new ... "
Monday, December 20, 2010
Dirt Bike Cake Knoxville, Tn
The industrial action Sna review
Newsletter Year VIII - n ° 370 - December 20, 2010
Dear Colleagues,
aftermath of the Central Committee of Sna Salerno last April, just after the three Sna uttered by the National President, John Place, it was clear that after the latest attempt to compare gone up in smoke, it opened the path of union mobilization, in fact already announced during the National Congress held on 4 February in Rome, been kept open with the declaration of industrial action. After Salerno, therefore, starts the organizers of a new season trade union, based on the sharing of the state of general excitement in the category. The Commission identifies the industrial action forms of protest, deliberately determined to strike sensitive targets without damaging the interests of customers. In the search for unity of purpose the Executive starts a long tour of Italy stage 11 and from South to North, including the islands, meets the interests of the class.
Divided into twelve major initiatives, the program has three levels: domestic actions, external, and irreversible, all supported by the lobbying continues, mainly geared at raising awareness of the political world, the institutions, Authority, and consumer associations. First stated objective: to promote appropriate legislation. Among the topics to be addressed, even that which seems the most insidious: the report claims / premiums loss ratio is technically defined by economists. Ascertain the truth about the data, investigate to understand the reasons, and not remain silent casualty data out of control, especially in the South, because of the abandonment of the territory by the same insurance companies that cry foul. But Sna will see clearly, but because he wants to defend an occupational area in the interests of consumers, especially those honest, to which they would have to pay the inability companies to maintain a strict relationship with the few crafty left free to raid any casualties, if not in build. Sna about it has already done so, investing professional and economic resources. The Provincial Section of Bari with the Regional Committee Pugliese, have first raised the case and urged the public meeting of July Fools Foxelli "the solution to the problem, suggesting the different initiatives of public interest. But you need to acquire knowledge of what happens beyond the Alps, with the contribution of BiPar, it was learned that within the EU there is no anti-fraud agency, and certainly not for lack of cases. Over 30,000 accidents each year are simulated in Inghilterra per oltre 350 milioni di Sterline (equivalenti a circa 450 milioni di Euro), cosa che ha causato nell’ultimo anno un aumento medio delle polizze di assicurazione auto britanniche di 44 Sterline, (circa 55 Euro).
In Italia la nascita dell’Agenzia antifrode invece fa già parte di un disegno di legge. Il 14 settembre 2010 la Commissione Finanze ha disposto l'abbinamento della proposta di legge C. 3589 Bragantini (Lnp) recante istituzione del Coordinamento nazionale per il contrasto delle frodi assicurative, all'esame congiunto delle altre proposte di legge C. 2699-ter approvata dal Senato, C. 1964 Barbato (Idv), E 3544 Pagano (Pdl), ed è nominato relatore l’On. Francesco Barbato. Angelo Gregorio, Responsabile della Commissione azioni sindacali è certo che ritrovare il giusto equilibrio dei premi significa riaprire il mercato interno, ma anche creare le condizioni di fiducia per il mercato internazionale nel rilascio di nuovi mandati.
Forse utopia, ma vale la pena d’impegnarsi, è del parere Gregorio, che presentando le slide delle azioni si sofferma su una che rappresenta un ingranaggio; in cima al quale, su una rotella campeggia la formula S/P collegata ad un’altra con la formula A/A e più sotto un volano rappresentato dalla Tutela Sna. A significare ciò che si prefigge di raggiungere, oltre il resto, svincolare i rapporti tra Agenti.
Ma veniamo al dunque delle azioni sindacali predisposte dalla Commissione, che doveva mantenere due consideration to alternatives to street protests.
Supported by major law firms, are outlined initiatives that surpass the doubts about the strike, to go to hit strategic targets with the involvement of mass media, traditional and innovative, using communication tools focusing on picture of the agent not to be confused with that enterprise, on the presentation of acts of popular initiative, the use of Authority to the sector. The Sna
there, and is ready for the challenge, aware of the difficulties is going to manifest primarily all'Ania the need to renegotiate the status of insurance agent. Status drawn by the legislature European first and then the national one: independent agent and multi-firm, advisor to the customer and partner of the company directs its innovation development strategies. First goal, therefore, return to the negotiating table, the Association of Companies.
Everything is ready. It starts with a press conference called for Thursday, December 2 in Rome in Piazza Belli, Confcommercio palace, which adheres Sna since 1990. Faced with the political and social debates of the heavy and growing impact of tariffs on consumers RC Cars, mostly caused by a renunciation of the companies to oversee the most complex situations, preferring to transfer the burden on rates, the most uplifting in the EU context, but also with mass cancellations and leaving the territory, without putting any brakes on speculation and outright fraud. For agents who have to deal with over-regulation is added to the uncertainty of their professional position, and the industries of sub-agents, employees and collaborators.
The kickoff of a game that lies ahead is very tough now because, you begin by sending email addressed all'Ania to which they are addressed "5 questions":
an abandonment of the territory: what steps have been taken or intend to take against the companies that abandon the insurance market, particularly with regard to the south, creating serious damage to consumers and create a real social emergency? 2
Liberalisation and increased insurance premiums, because despite the liberalization of the insurance market introduced by the Bersani law has not triggered an effective competitive process between the companies? 3
Insurance fraud: the insurance companies have a policy of effective counter fraud in order to reduce the cost of insurance r. C. Auto, or preferred to transfer the burden on the community? 4 Interdependence
equity: insurance companies often have common directors and officers, cross-shareholdings and multiplication of responsibilities. How do you feel to compensate for this evidente alterazione dei livelli concorrenziali tra le imprese?
5 Mancato confronto con gli agenti: perché l'Ania rifiuta di confrontarsi con gli agenti, per adeguare l'accordo nazionale fra le parti alla normativa attuale?
Si da seguito con la pubblicazione nazionale a pagina intera nel quotidiano Corriere della Sera delle stesse domande accompagnate dal claim: il nostro chiodo fisso.
La campagna stampa intende rompere l’equazione, Agente = Impresa di assicurazioni; volendo affermare lo stutus più simile al libero professionista, concetto ben chiarito alle associazioni dei consumatori, prime alleate, schierate al fianco degli agenti nella rivendicazione della maggiore trasparenza.
Le azioni di primo livello proseguono con un primo esposto all’Antitrust per la verifica anzitutto dei mandati post legge 40/2007. È noto che dopo la Legge Bersani siano nate clausole contrattuali che condizionano la possibilità di operare in plurimandato, riducendone di facto le potenzialità. Su questo tema l’Autorità Garante della Concorrenza e del Mercato sarà chiamata ad esprimersi. Ma non solo, alla stessa autorità Sna chiederà di proseguire nell’accertamento degli intrecci azionari e del management delle imprese di assicurazione, e sui riflessi negativi che si riverberano nel mercato.
Sempre nell’ambito delle azioni di primo livello rientrano: la richiesta delle indennità di liquidazione maturate al 31 dicembre 2010 da tutti gli agenti Italian insurance and the demand to know their positions gained at the Pension Fund Company that the effect of the independent evaluation of the agents, of the Convention, could be diverted to other non-insurance funds management.
Another important initiative is to promote planned protest under the patronage of Sna, after the initial formal notice, a few pilot cases for the claim for compensation of obligations not provided for in the mandates. Many significant activities that took place in practice in agencies without these tasks fall within the mandate of the agency to operate.
While some tests are underway to determine whether firms Insurance rates are free to apply RCA without any constraint, and if you are able to leave without institutional checks, whole regions of the country. But on this issue seems Isvap not insensitive, it is the recent news of the launching of an investigation of inquiry into at least 10 businesses against the possible breach of the contract provided for in our system.
shares the second level, provided by the Committee are externally oriented and as such will start by sending a postcard to the President of the Republic to raise its institutional intervention. Following Sna ask hospitality to the media and in particular Tg at the national, ready to challenge any refusal by the Authority including the public radio and television Rai; into account, inter alia, that the agents collect 90% of the premiums required Rca, plays a tax collection in law enforcement. But above all, to reaffirm the public of the social role in favor of the consumer client agent independent professional, and that is an essential plurimandato wins the consumer should be able to put competing firms in its trusted agent. In this sense, will also be seeking further details of parliamentary questions on time with the Minister of Development Statement.
Also under the actions of a second level, the Commission aims Sna particularly on the effects of the "queen": the petition. Paid to the Chairmen of the House and Senate will aim to raise awareness of the rooms in the discussion of immediate legislative action. As provided by Article 50 of the Constitution all citizens can present petitions to both Houses to request legislative measures or to express needs. 500 000 signatures Objective: Staff members collect only 100 signatures will help to achieve and exceed the rate provided significantly, which means the Commission Sna an increased emphasis by the institutions, puntando alla ridefinizione del ruolo dell’intermediario assicurativo, alla semplificazione amministrativa, alla redditività agenziale. La raccolta delle firme terminerà nella prima decade di marzo con la consegna, presso le Camere, delle firme raccolte. A seguire, manifestazione a Roma e spettacolo di satira sul tema delle assicurazioni.
Le azioni del terzo livello, definite non reversibili, sono sotto l’attento esame della Commissione Azioni sindacali Sna, insieme agli studi legali e fiscali, ma c’è la fiducia di non dover arrivare allo scontro.
Cordiali saluti.
Paolo Bullegas
Newsletter Year VIII - n ° 370 - December 20, 2010
Dear Colleagues,
aftermath of the Central Committee of Sna Salerno last April, just after the three Sna uttered by the National President, John Place, it was clear that after the latest attempt to compare gone up in smoke, it opened the path of union mobilization, in fact already announced during the National Congress held on 4 February in Rome, been kept open with the declaration of industrial action. After Salerno, therefore, starts the organizers of a new season trade union, based on the sharing of the state of general excitement in the category. The Commission identifies the industrial action forms of protest, deliberately determined to strike sensitive targets without damaging the interests of customers. In the search for unity of purpose the Executive starts a long tour of Italy stage 11 and from South to North, including the islands, meets the interests of the class.
Divided into twelve major initiatives, the program has three levels: domestic actions, external, and irreversible, all supported by the lobbying continues, mainly geared at raising awareness of the political world, the institutions, Authority, and consumer associations. First stated objective: to promote appropriate legislation. Among the topics to be addressed, even that which seems the most insidious: the report claims / premiums loss ratio is technically defined by economists. Ascertain the truth about the data, investigate to understand the reasons, and not remain silent casualty data out of control, especially in the South, because of the abandonment of the territory by the same insurance companies that cry foul. But Sna will see clearly, but because he wants to defend an occupational area in the interests of consumers, especially those honest, to which they would have to pay the inability companies to maintain a strict relationship with the few crafty left free to raid any casualties, if not in build. Sna about it has already done so, investing professional and economic resources. The Provincial Section of Bari with the Regional Committee Pugliese, have first raised the case and urged the public meeting of July Fools Foxelli "the solution to the problem, suggesting the different initiatives of public interest. But you need to acquire knowledge of what happens beyond the Alps, with the contribution of BiPar, it was learned that within the EU there is no anti-fraud agency, and certainly not for lack of cases. Over 30,000 accidents each year are simulated in Inghilterra per oltre 350 milioni di Sterline (equivalenti a circa 450 milioni di Euro), cosa che ha causato nell’ultimo anno un aumento medio delle polizze di assicurazione auto britanniche di 44 Sterline, (circa 55 Euro).
In Italia la nascita dell’Agenzia antifrode invece fa già parte di un disegno di legge. Il 14 settembre 2010 la Commissione Finanze ha disposto l'abbinamento della proposta di legge C. 3589 Bragantini (Lnp) recante istituzione del Coordinamento nazionale per il contrasto delle frodi assicurative, all'esame congiunto delle altre proposte di legge C. 2699-ter approvata dal Senato, C. 1964 Barbato (Idv), E 3544 Pagano (Pdl), ed è nominato relatore l’On. Francesco Barbato. Angelo Gregorio, Responsabile della Commissione azioni sindacali è certo che ritrovare il giusto equilibrio dei premi significa riaprire il mercato interno, ma anche creare le condizioni di fiducia per il mercato internazionale nel rilascio di nuovi mandati.
Forse utopia, ma vale la pena d’impegnarsi, è del parere Gregorio, che presentando le slide delle azioni si sofferma su una che rappresenta un ingranaggio; in cima al quale, su una rotella campeggia la formula S/P collegata ad un’altra con la formula A/A e più sotto un volano rappresentato dalla Tutela Sna. A significare ciò che si prefigge di raggiungere, oltre il resto, svincolare i rapporti tra Agenti.
Ma veniamo al dunque delle azioni sindacali predisposte dalla Commissione, che doveva mantenere due consideration to alternatives to street protests.
Supported by major law firms, are outlined initiatives that surpass the doubts about the strike, to go to hit strategic targets with the involvement of mass media, traditional and innovative, using communication tools focusing on picture of the agent not to be confused with that enterprise, on the presentation of acts of popular initiative, the use of Authority to the sector. The Sna
there, and is ready for the challenge, aware of the difficulties is going to manifest primarily all'Ania the need to renegotiate the status of insurance agent. Status drawn by the legislature European first and then the national one: independent agent and multi-firm, advisor to the customer and partner of the company directs its innovation development strategies. First goal, therefore, return to the negotiating table, the Association of Companies.
Everything is ready. It starts with a press conference called for Thursday, December 2 in Rome in Piazza Belli, Confcommercio palace, which adheres Sna since 1990. Faced with the political and social debates of the heavy and growing impact of tariffs on consumers RC Cars, mostly caused by a renunciation of the companies to oversee the most complex situations, preferring to transfer the burden on rates, the most uplifting in the EU context, but also with mass cancellations and leaving the territory, without putting any brakes on speculation and outright fraud. For agents who have to deal with over-regulation is added to the uncertainty of their professional position, and the industries of sub-agents, employees and collaborators.
The kickoff of a game that lies ahead is very tough now because, you begin by sending email addressed all'Ania to which they are addressed "5 questions":
an abandonment of the territory: what steps have been taken or intend to take against the companies that abandon the insurance market, particularly with regard to the south, creating serious damage to consumers and create a real social emergency? 2
Liberalisation and increased insurance premiums, because despite the liberalization of the insurance market introduced by the Bersani law has not triggered an effective competitive process between the companies? 3
Insurance fraud: the insurance companies have a policy of effective counter fraud in order to reduce the cost of insurance r. C. Auto, or preferred to transfer the burden on the community? 4 Interdependence
equity: insurance companies often have common directors and officers, cross-shareholdings and multiplication of responsibilities. How do you feel to compensate for this evidente alterazione dei livelli concorrenziali tra le imprese?
5 Mancato confronto con gli agenti: perché l'Ania rifiuta di confrontarsi con gli agenti, per adeguare l'accordo nazionale fra le parti alla normativa attuale?
Si da seguito con la pubblicazione nazionale a pagina intera nel quotidiano Corriere della Sera delle stesse domande accompagnate dal claim: il nostro chiodo fisso.
La campagna stampa intende rompere l’equazione, Agente = Impresa di assicurazioni; volendo affermare lo stutus più simile al libero professionista, concetto ben chiarito alle associazioni dei consumatori, prime alleate, schierate al fianco degli agenti nella rivendicazione della maggiore trasparenza.
Le azioni di primo livello proseguono con un primo esposto all’Antitrust per la verifica anzitutto dei mandati post legge 40/2007. È noto che dopo la Legge Bersani siano nate clausole contrattuali che condizionano la possibilità di operare in plurimandato, riducendone di facto le potenzialità. Su questo tema l’Autorità Garante della Concorrenza e del Mercato sarà chiamata ad esprimersi. Ma non solo, alla stessa autorità Sna chiederà di proseguire nell’accertamento degli intrecci azionari e del management delle imprese di assicurazione, e sui riflessi negativi che si riverberano nel mercato.
Sempre nell’ambito delle azioni di primo livello rientrano: la richiesta delle indennità di liquidazione maturate al 31 dicembre 2010 da tutti gli agenti Italian insurance and the demand to know their positions gained at the Pension Fund Company that the effect of the independent evaluation of the agents, of the Convention, could be diverted to other non-insurance funds management.
Another important initiative is to promote planned protest under the patronage of Sna, after the initial formal notice, a few pilot cases for the claim for compensation of obligations not provided for in the mandates. Many significant activities that took place in practice in agencies without these tasks fall within the mandate of the agency to operate.
While some tests are underway to determine whether firms Insurance rates are free to apply RCA without any constraint, and if you are able to leave without institutional checks, whole regions of the country. But on this issue seems Isvap not insensitive, it is the recent news of the launching of an investigation of inquiry into at least 10 businesses against the possible breach of the contract provided for in our system.
shares the second level, provided by the Committee are externally oriented and as such will start by sending a postcard to the President of the Republic to raise its institutional intervention. Following Sna ask hospitality to the media and in particular Tg at the national, ready to challenge any refusal by the Authority including the public radio and television Rai; into account, inter alia, that the agents collect 90% of the premiums required Rca, plays a tax collection in law enforcement. But above all, to reaffirm the public of the social role in favor of the consumer client agent independent professional, and that is an essential plurimandato wins the consumer should be able to put competing firms in its trusted agent. In this sense, will also be seeking further details of parliamentary questions on time with the Minister of Development Statement.
Also under the actions of a second level, the Commission aims Sna particularly on the effects of the "queen": the petition. Paid to the Chairmen of the House and Senate will aim to raise awareness of the rooms in the discussion of immediate legislative action. As provided by Article 50 of the Constitution all citizens can present petitions to both Houses to request legislative measures or to express needs. 500 000 signatures Objective: Staff members collect only 100 signatures will help to achieve and exceed the rate provided significantly, which means the Commission Sna an increased emphasis by the institutions, puntando alla ridefinizione del ruolo dell’intermediario assicurativo, alla semplificazione amministrativa, alla redditività agenziale. La raccolta delle firme terminerà nella prima decade di marzo con la consegna, presso le Camere, delle firme raccolte. A seguire, manifestazione a Roma e spettacolo di satira sul tema delle assicurazioni.
Le azioni del terzo livello, definite non reversibili, sono sotto l’attento esame della Commissione Azioni sindacali Sna, insieme agli studi legali e fiscali, ma c’è la fiducia di non dover arrivare allo scontro.
Cordiali saluti.
Paolo Bullegas
Wednesday, December 15, 2010
Ammonia-free Highlights
DECA's 60 - Dark
Now just post a 'prone' to the current positive atmosphere and Christmas.
A name misunderstood by homegrown 'masses ', including more' close 'and' intransigent 'of the Italian.
Staying in Liguria, we have now moved to Savona, the birthplace of Federico De Caroli, aka DECA, shy electronic composer since the late '80s is working in the 'trial' in music, ever-changing, started from the lessons of the German school to get to cosmic a personal 'Ambient Music', which draws on various kinds without being bound to no one in particular.
Despite the impressive record production and being one of the pillars of the Italian electronic scene (for instance, the sound from the Industrial and Esoteric in the first place), has never enjoyed a great reputation, probably because of choices without compromises, which have made the distribution of his albums especially aimed at fans and collectors, a material hard enough to find.
diploma in piano and graduated in modern literature, Federico De Caroli published his first work in the late '80s, approaching the electronic sound on a polyphonic analog synthesizer with the marked influence the sound of Tangerine Dream, Kraftwerk, La Düsseldorf, Neu and others 'Cosmic Courier' more 'synthetic' (but also Jean Michel Jarre and Vangelis in some respects).
Her first album ("Alkaid" of 1986), published by a small label, still bitter and rough in the arrangements, it is a pleasant mix between futuristic Techno Pop and symphonic music. Deca
same time worked as arranger and sound engineer at some studios, expanding his experience by taking advantage of technology tools and more professional.
In 1987 he released the album "Synthetic Lips", inspired by the school typically cosmic and music files, with Jarre and Tangerine Dream by reference, starting in the song titles ("Hydrogen", "Tangram"). The
longplaying is full of melancholy and ethereal melodies, carpets of sequencers and drum machines, all in all a good album. Musician
now 'niche', the cult underground Deca continues in 1989 with a first 'turn', the album marked "Claustrophobia" dark Dark manifest in all respects.
A music full of anguish, sound effects to a minimum and haunting atmospheres and nihilistic made of synthetic harpsichord ("Carnal Flowers", "Liquid Animals") or a church organ ("Cathedral Of Nightmares"), surrounded by heavy rhythms and metallic clang (only three tracks sung, so to speak, her voice as an instrument alien in "Inframorte", "Metamorphosis," "Private Panic").
A beautiful and dark album, swinging between Dark Wave and Industrial sound, this third disc opens a path to personal and more radical, decisive in the coming years. Deca
opened the '90s with "Premonition Humana" album that returns to the atmosphere more symphonic sound overlapping synthetic string section and piano.
1992 is also the year that Deca back to gigging after a long pause, with an audio-visual form and thanks to a computerized lighting system and the projection of original movies and computergraphics. In the following years
, Decided to stop production record, however, devoted to work more or less experimental, which are then used for sound documentaries, theater, dance, multimedia installations.
The album "Phantom", 1998, released by the 'historic' Old Europa Cafe in Pordenone, is a remarkable example of the Industrial Drones 'Cold Meat Industry', with intriguing rhythmic sequences, with voices and flashes of the abyss bizarre percussion instruments.
With "Phantom" comes into question the 'Neg (ative) Age', cultural trend opposite to that of the new age of fashion then, no hope, then, but the only outlet and simple vision of reality without alienating and miserable perspectives.
the next CD, titled "electronica", released in 2000, is the only official collection of recordings of Deca, consisting of unreleased tracks, recorded over a decade, decided by the rhythmic stamp and cutting 'cyberpunk' from ' Electronic Body Music ', which may refer to formations such as DAF and Front Line Assembly.
the summer of 2002 sees the light "Symbiont", perhaps his 'masterpiece'.
An album containing only half an hour of music and because very few copies in print in 'Carbon' because officially distributed worldwide through a dedicated website.
probably among his most interesting and representative, from the sound dark and abysmal with eight tracks in it, the apocalyptic titles ("Obscure Epidemy", "Enthropia", "Cryptomorphic"), a series of elaborate sound and atmospheres that recall, affinity-Ellett, the mythical Coil, Psychic TV more rituals and early Current 93 and apocalyptic Sleep Chamber, with the rhythms, mantras luciferin, voices from beyond the cosmic, all wrapped in a blanket and left demonic.
"Symbiont" is a kind of perfect soundtrack Dark Ambient, esoteric, dreamlike and haunting, sounding filtered, manipulated ambient sounds, piano and percussion, distorted space-time worthy of a story by Lovecraft.
The album "Aracnis Radiarum", will be the next job, which was released after five years, beginning in 2007, with twelve tracks key even in the darkest and cosmic, but more 'musical' in the strict sense, between the symphony and rhythmic patterns.
In 2010 publishes his latest work, entitled "Automa Ashes", which evolved in part to the sound of "Symbiont" leading to the extreme almost unrecognizable sound sources, mixing electronic and piano, a fine disc for fans of the genre, with "Arcanaut Paradox", "Osmodes Enigma", "Unknown Machina" and "Sehsashes" among the most successful tracks.
Although still considered an 'outsider', even in the undergrowth of the current Industrial Electronic Ambient, DECA has never ceased to experiment and put into question, after twenty years of artistic career, one of the most advanced sound designers and composers on the international scene.
Credit where credit is a requirement in the presence of Pinzillacchere Music. Cosmic
Alchemist.
http://www.megaupload.com/?d=5V8ZWXNT
"... the new frontiers of the nouvelle vague ..." 
Now just post a 'prone' to the current positive atmosphere and Christmas. A name misunderstood by homegrown 'masses ', including more' close 'and' intransigent 'of the Italian.
Staying in Liguria, we have now moved to Savona, the birthplace of Federico De Caroli, aka DECA, shy electronic composer since the late '80s is working in the 'trial' in music, ever-changing, started from the lessons of the German school to get to cosmic a personal 'Ambient Music', which draws on various kinds without being bound to no one in particular.
Despite the impressive record production and being one of the pillars of the Italian electronic scene (for instance, the sound from the Industrial and Esoteric in the first place), has never enjoyed a great reputation, probably because of choices without compromises, which have made the distribution of his albums especially aimed at fans and collectors, a material hard enough to find.
diploma in piano and graduated in modern literature, Federico De Caroli published his first work in the late '80s, approaching the electronic sound on a polyphonic analog synthesizer with the marked influence the sound of Tangerine Dream, Kraftwerk, La Düsseldorf, Neu and others 'Cosmic Courier' more 'synthetic' (but also Jean Michel Jarre and Vangelis in some respects).
Her first album ("Alkaid" of 1986), published by a small label, still bitter and rough in the arrangements, it is a pleasant mix between futuristic Techno Pop and symphonic music. Deca
same time worked as arranger and sound engineer at some studios, expanding his experience by taking advantage of technology tools and more professional.
In 1987 he released the album "Synthetic Lips", inspired by the school typically cosmic and music files, with Jarre and Tangerine Dream by reference, starting in the song titles ("Hydrogen", "Tangram"). The
longplaying is full of melancholy and ethereal melodies, carpets of sequencers and drum machines, all in all a good album. Musician
now 'niche', the cult underground Deca continues in 1989 with a first 'turn', the album marked "Claustrophobia" dark Dark manifest in all respects.
A music full of anguish, sound effects to a minimum and haunting atmospheres and nihilistic made of synthetic harpsichord ("Carnal Flowers", "Liquid Animals") or a church organ ("Cathedral Of Nightmares"), surrounded by heavy rhythms and metallic clang (only three tracks sung, so to speak, her voice as an instrument alien in "Inframorte", "Metamorphosis," "Private Panic").
A beautiful and dark album, swinging between Dark Wave and Industrial sound, this third disc opens a path to personal and more radical, decisive in the coming years. Deca
opened the '90s with "Premonition Humana" album that returns to the atmosphere more symphonic sound overlapping synthetic string section and piano.
1992 is also the year that Deca back to gigging after a long pause, with an audio-visual form and thanks to a computerized lighting system and the projection of original movies and computergraphics. In the following years
, Decided to stop production record, however, devoted to work more or less experimental, which are then used for sound documentaries, theater, dance, multimedia installations.
The album "Phantom", 1998, released by the 'historic' Old Europa Cafe in Pordenone, is a remarkable example of the Industrial Drones 'Cold Meat Industry', with intriguing rhythmic sequences, with voices and flashes of the abyss bizarre percussion instruments.
With "Phantom" comes into question the 'Neg (ative) Age', cultural trend opposite to that of the new age of fashion then, no hope, then, but the only outlet and simple vision of reality without alienating and miserable perspectives.
the next CD, titled "electronica", released in 2000, is the only official collection of recordings of Deca, consisting of unreleased tracks, recorded over a decade, decided by the rhythmic stamp and cutting 'cyberpunk' from ' Electronic Body Music ', which may refer to formations such as DAF and Front Line Assembly.
the summer of 2002 sees the light "Symbiont", perhaps his 'masterpiece'.
An album containing only half an hour of music and because very few copies in print in 'Carbon' because officially distributed worldwide through a dedicated website.
probably among his most interesting and representative, from the sound dark and abysmal with eight tracks in it, the apocalyptic titles ("Obscure Epidemy", "Enthropia", "Cryptomorphic"), a series of elaborate sound and atmospheres that recall, affinity-Ellett, the mythical Coil, Psychic TV more rituals and early Current 93 and apocalyptic Sleep Chamber, with the rhythms, mantras luciferin, voices from beyond the cosmic, all wrapped in a blanket and left demonic.
"Symbiont" is a kind of perfect soundtrack Dark Ambient, esoteric, dreamlike and haunting, sounding filtered, manipulated ambient sounds, piano and percussion, distorted space-time worthy of a story by Lovecraft.
The album "Aracnis Radiarum", will be the next job, which was released after five years, beginning in 2007, with twelve tracks key even in the darkest and cosmic, but more 'musical' in the strict sense, between the symphony and rhythmic patterns.
In 2010 publishes his latest work, entitled "Automa Ashes", which evolved in part to the sound of "Symbiont" leading to the extreme almost unrecognizable sound sources, mixing electronic and piano, a fine disc for fans of the genre, with "Arcanaut Paradox", "Osmodes Enigma", "Unknown Machina" and "Sehsashes" among the most successful tracks.
Although still considered an 'outsider', even in the undergrowth of the current Industrial Electronic Ambient, DECA has never ceased to experiment and put into question, after twenty years of artistic career, one of the most advanced sound designers and composers on the international scene.
Credit where credit is a requirement in the presence of Pinzillacchere Music. Cosmic
Alchemist.
http://www.megaupload.com/?d=5V8ZWXNT
"... the new frontiers of the nouvelle vague ..."
Friday, December 10, 2010
Can I Use Tvcenter With My Pctv Stereo
SCORTILLA Environment - a shining example
Back to the '80s Italian.
From Genoa, 'with its music junctions', came gli SCORTILLA , una favolosa formazione di chiaro stampo 'New Wave' , che proprio agli albori degli Anni '80 ebbe modo di consumare brevi momenti di gloria e meritato successo , almeno nell'ambito del 'sottosuolo' nazionale .
Nati nel capoluogo Ligure sul finire del '79 , la formazione Genovese era costituita da Roberto Pischiutta detto 'Pivio' (voce , tastiere) , Marco Odino (tastiere , chitarre , drum machine) , Mario Marchesoni (basso) e Edo Livio Bartenor (sax , tastiere) .
gli Scortilla (il termine viene dal Latino e significa 'prostituta' , matrice linguistica del più aggiornato 'escort') , si imposero fin dai primi tumultuosi concerti all'attenzione degli addetti ai lavori e della stampa locale come gruppo guida della New Wave Genovese (contrapposti ai Dirty Actions , più preposti al grezzo sound Punk) .
Il sound del progetto Scortilla nasce probabilmente ispirato inizialmente dal Post Punk/Dark britannico e dalla No Wave newyorchese (i primi Cure , Siouxsie & the Banshees ed i Contortions di James Chance) , sviluppatosi lentamente all'interno del loro quartier generale , il mitico Psyco Club di Genova .
Contemporaneamente divenne inderogabile , da buon gruppo Wave , l'incontro con la Synth Wave (per cui Devo , Human League , Ultravox e Simple Minds tanto per citare qualche gruppo) , crescendo di pari passo all'introduzione dei sintetizzatori che sostituirono le chitarre e con testi indirizzati verso hyper-technological society.
Among the most significant songs of this period (1981 to 1984) to be remembered "not Chanson de amour", "Dresden", "Miltary rendez vous," "Inside" and especially their single greatest hits from 'Bradbury' title "Fahrenheit 451", released by Wea in the summer of 1984.
Live Scortilla's now 'icon' and cult band in Genoa and Liguria, they played in the various temples in the Wave of the time (Florence, Bologna, Turin, Milan and Rimini), participating in the most important musical events of the period including the 'Rock Festival' in Genoa and the 'Rock Festival' in Bologna, making a live-act multimedia over an hour's duration, always and only made their compositions topped with pictures and videos made specifically for each song.
of these concerts the only evidence was an audio recording now nowhere to be found on "Scortilla-Box" (self-produced cassette of 1981), before the publication of CD-DVD anthology "Scortilla 1980-2005" containing some of their material, videos and interviews .
Appreciated by critics and the public suddenly disappeared from the scene at the time of greatest notoriety in 1984 after attending the final of the Festivalbar in Verona. In the
Anno Domini 2010, the reunion made by Mark Odin (former soloist with different production assets) and Pivio (which over the years has continued his career as a successful writer of film scores) and the inclusion of visual artist Sergio Gazzo.
With this new product line-up was the EP "Invisible" for Creuza Editions.
For lovers of Italian Wave and '80s, like myself, is very good news, hope to see / hear other publications. Despite record production
minute, The SCORTILLA were the real standard bearers for the Wave Italian, whose only 'fault' was to have given up too soon, prematurely ending the adventure and depriving us of their enormous potential. Enjoy
!
Audax iuvant New Wave.
http://hotfile.com/dl/88257765/4ca356b/SCRTLL_ntlg.rar.html
"... children's voices, in chorus repeating numbers ..." 
Back to the '80s Italian. From Genoa, 'with its music junctions', came gli SCORTILLA , una favolosa formazione di chiaro stampo 'New Wave' , che proprio agli albori degli Anni '80 ebbe modo di consumare brevi momenti di gloria e meritato successo , almeno nell'ambito del 'sottosuolo' nazionale .
Nati nel capoluogo Ligure sul finire del '79 , la formazione Genovese era costituita da Roberto Pischiutta detto 'Pivio' (voce , tastiere) , Marco Odino (tastiere , chitarre , drum machine) , Mario Marchesoni (basso) e Edo Livio Bartenor (sax , tastiere) .
gli Scortilla (il termine viene dal Latino e significa 'prostituta' , matrice linguistica del più aggiornato 'escort') , si imposero fin dai primi tumultuosi concerti all'attenzione degli addetti ai lavori e della stampa locale come gruppo guida della New Wave Genovese (contrapposti ai Dirty Actions , più preposti al grezzo sound Punk) .
Il sound del progetto Scortilla nasce probabilmente ispirato inizialmente dal Post Punk/Dark britannico e dalla No Wave newyorchese (i primi Cure , Siouxsie & the Banshees ed i Contortions di James Chance) , sviluppatosi lentamente all'interno del loro quartier generale , il mitico Psyco Club di Genova .
Contemporaneamente divenne inderogabile , da buon gruppo Wave , l'incontro con la Synth Wave (per cui Devo , Human League , Ultravox e Simple Minds tanto per citare qualche gruppo) , crescendo di pari passo all'introduzione dei sintetizzatori che sostituirono le chitarre e con testi indirizzati verso hyper-technological society.
Among the most significant songs of this period (1981 to 1984) to be remembered "not Chanson de amour", "Dresden", "Miltary rendez vous," "Inside" and especially their single greatest hits from 'Bradbury' title "Fahrenheit 451", released by Wea in the summer of 1984.
Live Scortilla's now 'icon' and cult band in Genoa and Liguria, they played in the various temples in the Wave of the time (Florence, Bologna, Turin, Milan and Rimini), participating in the most important musical events of the period including the 'Rock Festival' in Genoa and the 'Rock Festival' in Bologna, making a live-act multimedia over an hour's duration, always and only made their compositions topped with pictures and videos made specifically for each song.
of these concerts the only evidence was an audio recording now nowhere to be found on "Scortilla-Box" (self-produced cassette of 1981), before the publication of CD-DVD anthology "Scortilla 1980-2005" containing some of their material, videos and interviews .
Appreciated by critics and the public suddenly disappeared from the scene at the time of greatest notoriety in 1984 after attending the final of the Festivalbar in Verona. In the
Anno Domini 2010, the reunion made by Mark Odin (former soloist with different production assets) and Pivio (which over the years has continued his career as a successful writer of film scores) and the inclusion of visual artist Sergio Gazzo.
With this new product line-up was the EP "Invisible" for Creuza Editions.
For lovers of Italian Wave and '80s, like myself, is very good news, hope to see / hear other publications. Despite record production
minute, The SCORTILLA were the real standard bearers for the Wave Italian, whose only 'fault' was to have given up too soon, prematurely ending the adventure and depriving us of their enormous potential. Enjoy
!
Audax iuvant New Wave.
http://hotfile.com/dl/88257765/4ca356b/SCRTLL_ntlg.rar.html
"... children's voices, in chorus repeating numbers ..."
Monday, December 6, 2010
Supposed To Start My Period Brownish Mucus
Public Consultation for the Second EU Directive on insurance mediation
Newsletter Year VIII - n ° 369 - December 6, 2010
Dear Colleagues,
the EU Commission ready to review the Insurance Mediation Directive (IMD), better known in Italy under the acronym DMA (Insurance Mediation Directive).
Last November 26 was launched for public consultation on the review with an invitation to interested parties to comment on the current functioning of insurance, and suggest possible changes in preparation for the DMA II.
The Directorate General Internal Market and Services European Commission trust to receive important contributions from this consultation, the evidence base for the preparation of a formal Commission proposal that would incorporate the needs that emerged after the introduction of Directive 2002/92/EC.
proposes to guarantee a high level of consumer protection, in a legal framework which aims at a high level of professionalism and competence among insurance intermediaries, Directive 2002 because of the character of minimum harmonization has created a patchwork of national legislation adopted by Member States. It seems that this awareness, the Commission intends to proceed quickly with its review, then correcting the serious deficiencies and inconsistencies of the intermediazione assicurativa in Ue.
I servizi della Commissione ha monitorato l’attuazione della Direttiva analizzando l’efficacia del livello minimo di tutela dei consumatori legata all’informazione completa spettante prima della conclusione di qualsiasi contratto di assicurazione sia alla stipula che nel caso della sua modifica o in occasione del rinnovo.
Negli orientamenti della Commissione c’è la regolazione inerente tutta una serie di prodotti di investimento al dettaglio preassemblati – i cosiddetti PRIPs (Packaged Retail Investment Products) – come i prodotti assicurativi vita unit-linked, e questo in coerenza con i principi dettati da Solvency II e Mifid. È opinione della Commissione che la remunerazione agli intermediari attraverso gli incentivi, può influenzare i consigli per i consumatori e la valutazione della idoneità del prodotto finanziario; ed intenderebbe valutare diverse ipotesi di pubblicità nella remunerazione per gli intermediari di assicurazione.
Secondo i servizi della D.G. mercato interno della Commissione, i consumatori hanno una comprensione ancora insufficiente dei rischi, i costi e le caratteristiche dei prodotti assicurativi, la Direttiva in questo senso dovrebbe correggere i significativi conflitti di interesse, ad esempio, quando la retribuzione e gli incentivi sono più alti per la vendita di alcuni prodotti assicurativi in confronto con altri. Altro importante tema che si impegna a modificare la nuova Directive, will be to introduce provisions for employees of insurance companies direct, to ensure a level playing field with professional intermediaries.
The experience of recent years, seems not to be overlooked, or rather the questions asked in the public consultation document seem to be particularly careful to evaluate every possible solution to help create the conditions for a market closer to the consumer
In the first group of questions asked in the consultation is clear guidance services of the EU Commission: The first question asks if the document disclosure requirements should be extended to employees of insurance companies directly, taking account the characteristics of existing distribution channels. One shortcoming of the previous Directive. He wonders whether the exemption from disclosure requirements for large risks to be retained. If in the context of information requirements for the mediation of insurance products, Member States may impose stricter requirements. If you think that a definition of counseling, similar or identical to the definition in MiFID, it is necessary for the mediation of insurance products? Do you think that certain insurance products may be sold without advice? If yes, what products you have in mind and how it could be mitigated by a possibility of harm to consumers? What practical steps can be provided for the reduction of oneri amministrativi?
Nel secondo gruppo di domande si entra nel merito della gestione efficace dei conflitti di interessi e di trasparenza. Uno degli obiettivi della revisione della DMA dovrebbe essere quello di adottare regole chiare ed efficaci sui conflitti di interessi e di trasparenza che riguardano la distribuzione assicurativa, in particolare valuterà con particolare attenzione le preoccupazioni già sollevate dalla Commissione di Business Insurance Sector Inquiry 2007, in relazione al potenziale conflitto di interesse legato al duplice ruolo di broker come consulente per i loro clienti e come canale di distribuzione per l'impresa; potenziale fonte di conflitto tra l'obiettività della consulenza e le proprie considerazioni commerciali, in particularly the lack of spontaneous communication of remuneration received by insurers, and practices designed to encourage brokers in particular have the potential to undermine fair competition, and insurers could result in competing at the level of remuneration offered to brokers. The final report on the sector has confirmed the importance that the Commission examine the issue in its review of the DMA II. In this context, a potential solution seems to be to use the MiFID as a starting point for the management of conflicts of interest, particularly with regard to remuneration.
These are the questions: What are the principles of high-level planning to carry out effectively conflicts of interest, taking into account the differences between investment in life insurance policies and other categories of insurance products? How could they reconcile these principles to all participants involved in the sale of insurance products? Do you agree that the MiFID could be considered as a starting point for managing conflicts of interest? How can the transparency of remuneration in the sale of insurance policies be improved for all participants involved in the sale of insurance products, taking into account the need for a level playing field? Do you agree that all insurance intermediaries should have the right to equal treatment in terms di struttura della loro retribuzione, ad esempio, che i Broker dovrebbero essere autorizzati a ricevere commissioni da imprese di assicurazione e agenti di assicurazione? Quali condizioni si dovrebbero applicare per la divulgazione di informazioni sulle retribuzioni? Quali tipi di remunerazione devono essere incluse nelle informazioni sulle retribuzioni?
Il terzo gruppo di domande riguarda invece gli aspetti della vera parità di condizioni tra tutti i partecipanti coinvolti nella vendita di prodotti assicurativi. In termini pratici l’obiettivo sarà quello di estendere la DMA II alle imprese di assicurazione dirette e loro dipendenti. Inoltre, la Commissione vorrebbe prendere in considerazione le differenze tra gli investimenti in polizze di assicurazione sulla vita (PRIPs) e le altre categorie di prodotti assicurativi e le esenzioni dal campo di applicazione. A questo proposito, l'attenzione sarà anche dedicata all'eliminazione di inutili oneri amministrativi; mentre le vendite di prodotti assicurativi attraverso i mezzi di commercializzazione a distanza dovrebbero essere incluse nel perimetro della DMA II. Tali disposizioni potranno tenere conto delle attuali definizioni basate sulle attività di intermediazione assicurativa; e le esenzioni dal campo di applicazione potranno riconsiderare non i tipi di "professioni", ad esempio agenzie di viaggio; ma l’attività di intermediazione assicurativa, rimanendo quindi nell'ambito di applicazione della Direttiva. Infine, quando un'impresa di assicurazione sells the products of another insurer, the first should be viewed as the party of the second and subject to the provisions of insurance.
Questions: To ensure a true level playing field between all participants involved in the sale of insurance products, to what extent the current DMA should also be applicable to insurance companies and their direct employees? A lack of clarity about the extent of DMA could lead to unnecessary administrative burdens. What are any clarifications to be made to the current scope of the DMA in this regard? Such cases for exemption from DMA II should be considered, taking into account the need to ensure legal certainty and consumer protection? If a website or a person gives only information about insurance, they must fall within the scope of the Directive DMA II? As might be more clearly defined boundaries than the insurance brokerage? Do you have examples of activities that, in most Member States, fall within the DMA, but believed it should not be treated as the sale of certain insurance products by companies to rent a car? Or conversely, you have examples of activities that are currently not included in the Directive, but that should be included?
What special needs arising from the Directive on financial services at a distance (DMFS) should be taken into account in the DMA II?
The fourth group of questions concerned the desirability of improving the legal framework in relation to the notification process concerning the freedom of establishment (FOE), and the free provision of services (FOS) by including the definitions on FOS and FOE in the DMA II, in order to make it easier for insurance mediation by inserting the provision for mutual recognition of professional qualifications.
Questions: Do you agree with the inclusion of the definition of freedom to provide services (FOS), as agreed in the Luxembourg Protocol of CEIOPS, in the directive DMA II? There a need to further clarify the rules on freedom of establishment (FOE) and integrate these standards into the DMA II? How can the notification process be made more efficient and useful? Do you agree that further rules on FOS and FOE should be included in the DMA II, in order to provide greater legal certainty? There are issues with regard to the general rules in relation to cross-border dimension of insurance? What problems face today's insurance intermediaries in the case of cross-border sales? As the Directive should be amended to improve the condition of assets FOE / FOS? It would be helpful in this regard integration into the DMA II CEIOPS clause of the Luxembourg Protocol on mutual recognition? Provisions similar to those contained in the Directive on electronic commerce in view of the proper use of good and transparent general rules could be integrated into the DMA II?
A fifth group of questions is dedicated to the requirements of training and is aimed at establishing common principles for the basic qualification requirements for all sellers of insurance products. In this context, it could ensure that all people in insurance companies that are responsible for the distribution of insurance, as well as all other employees directly involved in the proposed undertaking, have the knowledge and skills necessary for the performance of their duties.
Questions: What are the high-level requirements that should be considered for the knowledge and skills of all participants involved in the sale of insurance products in the differences in qualification systems in Member States? These requirements should be tailored according to the distribution channel?
In the sixth and final group of questions, the Commission is a need to make more transparent the financial promotion of life insurance products. The insurance companies or financial intermediaries offering life insurance policies (PRIPs) will necessarily ensure that the customer receives information regarding the remuneration (making clear the difference between the premium paid and the portion of the premium actually invested). The orientation is to provide remuneration structures that will have a significant impact on the ability of intermediaries to act in the best interest of the customer, structuring the remuneration so as to prevent or effectively manage conflicts of interest that may arise.
Questions: What are the practical challenges that you think should be addressed when drafting new legislation on the distribution of PRIPs insurance? What are the most important practical issues to consider when applying the benchmark MiFID PRIPs to sell?
All interested parties are invited by the Commission to answer questions posed in the consultation document. In particular it is expected that the intermediary associations are particularly active in taking part in public consultation at Community level in order to address what he has found the answer to many difficulties at national level. The invitation to be as specific as possible in their responses, illustrating the positions of concrete examples and to identify, where possible, the nature and size of the potential costs and benefits, is certainly a tempting opportunity to address the nodes of the Rules Isvap the Insurance Code and represented at the EU under the exceptional dall'Autority nostrana.
The public consultation closes on 31 January 2011. Responses should be sent to markt-h2@ec.europa.eu.
The Directorate-General of the European Commission held a public meeting to present the public consultation for the revision of the Insurance Mediation Directive, Friday, December 10, 2010, from 09:00 to 18:00 in Brussels, rue Froissart, and presence of the associations of insurance agents, insurance companies, CEIOPS and consumer groups.
Sincerely.
Paul Bullegas 
Newsletter Year VIII - n ° 369 - December 6, 2010
Dear Colleagues,
the EU Commission ready to review the Insurance Mediation Directive (IMD), better known in Italy under the acronym DMA (Insurance Mediation Directive).
Last November 26 was launched for public consultation on the review with an invitation to interested parties to comment on the current functioning of insurance, and suggest possible changes in preparation for the DMA II.
The Directorate General Internal Market and Services European Commission trust to receive important contributions from this consultation, the evidence base for the preparation of a formal Commission proposal that would incorporate the needs that emerged after the introduction of Directive 2002/92/EC.
proposes to guarantee a high level of consumer protection, in a legal framework which aims at a high level of professionalism and competence among insurance intermediaries, Directive 2002 because of the character of minimum harmonization has created a patchwork of national legislation adopted by Member States. It seems that this awareness, the Commission intends to proceed quickly with its review, then correcting the serious deficiencies and inconsistencies of the intermediazione assicurativa in Ue.
I servizi della Commissione ha monitorato l’attuazione della Direttiva analizzando l’efficacia del livello minimo di tutela dei consumatori legata all’informazione completa spettante prima della conclusione di qualsiasi contratto di assicurazione sia alla stipula che nel caso della sua modifica o in occasione del rinnovo.
Negli orientamenti della Commissione c’è la regolazione inerente tutta una serie di prodotti di investimento al dettaglio preassemblati – i cosiddetti PRIPs (Packaged Retail Investment Products) – come i prodotti assicurativi vita unit-linked, e questo in coerenza con i principi dettati da Solvency II e Mifid. È opinione della Commissione che la remunerazione agli intermediari attraverso gli incentivi, può influenzare i consigli per i consumatori e la valutazione della idoneità del prodotto finanziario; ed intenderebbe valutare diverse ipotesi di pubblicità nella remunerazione per gli intermediari di assicurazione.
Secondo i servizi della D.G. mercato interno della Commissione, i consumatori hanno una comprensione ancora insufficiente dei rischi, i costi e le caratteristiche dei prodotti assicurativi, la Direttiva in questo senso dovrebbe correggere i significativi conflitti di interesse, ad esempio, quando la retribuzione e gli incentivi sono più alti per la vendita di alcuni prodotti assicurativi in confronto con altri. Altro importante tema che si impegna a modificare la nuova Directive, will be to introduce provisions for employees of insurance companies direct, to ensure a level playing field with professional intermediaries.
The experience of recent years, seems not to be overlooked, or rather the questions asked in the public consultation document seem to be particularly careful to evaluate every possible solution to help create the conditions for a market closer to the consumer
In the first group of questions asked in the consultation is clear guidance services of the EU Commission: The first question asks if the document disclosure requirements should be extended to employees of insurance companies directly, taking account the characteristics of existing distribution channels. One shortcoming of the previous Directive. He wonders whether the exemption from disclosure requirements for large risks to be retained. If in the context of information requirements for the mediation of insurance products, Member States may impose stricter requirements. If you think that a definition of counseling, similar or identical to the definition in MiFID, it is necessary for the mediation of insurance products? Do you think that certain insurance products may be sold without advice? If yes, what products you have in mind and how it could be mitigated by a possibility of harm to consumers? What practical steps can be provided for the reduction of oneri amministrativi?
Nel secondo gruppo di domande si entra nel merito della gestione efficace dei conflitti di interessi e di trasparenza. Uno degli obiettivi della revisione della DMA dovrebbe essere quello di adottare regole chiare ed efficaci sui conflitti di interessi e di trasparenza che riguardano la distribuzione assicurativa, in particolare valuterà con particolare attenzione le preoccupazioni già sollevate dalla Commissione di Business Insurance Sector Inquiry 2007, in relazione al potenziale conflitto di interesse legato al duplice ruolo di broker come consulente per i loro clienti e come canale di distribuzione per l'impresa; potenziale fonte di conflitto tra l'obiettività della consulenza e le proprie considerazioni commerciali, in particularly the lack of spontaneous communication of remuneration received by insurers, and practices designed to encourage brokers in particular have the potential to undermine fair competition, and insurers could result in competing at the level of remuneration offered to brokers. The final report on the sector has confirmed the importance that the Commission examine the issue in its review of the DMA II. In this context, a potential solution seems to be to use the MiFID as a starting point for the management of conflicts of interest, particularly with regard to remuneration.
These are the questions: What are the principles of high-level planning to carry out effectively conflicts of interest, taking into account the differences between investment in life insurance policies and other categories of insurance products? How could they reconcile these principles to all participants involved in the sale of insurance products? Do you agree that the MiFID could be considered as a starting point for managing conflicts of interest? How can the transparency of remuneration in the sale of insurance policies be improved for all participants involved in the sale of insurance products, taking into account the need for a level playing field? Do you agree that all insurance intermediaries should have the right to equal treatment in terms di struttura della loro retribuzione, ad esempio, che i Broker dovrebbero essere autorizzati a ricevere commissioni da imprese di assicurazione e agenti di assicurazione? Quali condizioni si dovrebbero applicare per la divulgazione di informazioni sulle retribuzioni? Quali tipi di remunerazione devono essere incluse nelle informazioni sulle retribuzioni?
Il terzo gruppo di domande riguarda invece gli aspetti della vera parità di condizioni tra tutti i partecipanti coinvolti nella vendita di prodotti assicurativi. In termini pratici l’obiettivo sarà quello di estendere la DMA II alle imprese di assicurazione dirette e loro dipendenti. Inoltre, la Commissione vorrebbe prendere in considerazione le differenze tra gli investimenti in polizze di assicurazione sulla vita (PRIPs) e le altre categorie di prodotti assicurativi e le esenzioni dal campo di applicazione. A questo proposito, l'attenzione sarà anche dedicata all'eliminazione di inutili oneri amministrativi; mentre le vendite di prodotti assicurativi attraverso i mezzi di commercializzazione a distanza dovrebbero essere incluse nel perimetro della DMA II. Tali disposizioni potranno tenere conto delle attuali definizioni basate sulle attività di intermediazione assicurativa; e le esenzioni dal campo di applicazione potranno riconsiderare non i tipi di "professioni", ad esempio agenzie di viaggio; ma l’attività di intermediazione assicurativa, rimanendo quindi nell'ambito di applicazione della Direttiva. Infine, quando un'impresa di assicurazione sells the products of another insurer, the first should be viewed as the party of the second and subject to the provisions of insurance.
Questions: To ensure a true level playing field between all participants involved in the sale of insurance products, to what extent the current DMA should also be applicable to insurance companies and their direct employees? A lack of clarity about the extent of DMA could lead to unnecessary administrative burdens. What are any clarifications to be made to the current scope of the DMA in this regard? Such cases for exemption from DMA II should be considered, taking into account the need to ensure legal certainty and consumer protection? If a website or a person gives only information about insurance, they must fall within the scope of the Directive DMA II? As might be more clearly defined boundaries than the insurance brokerage? Do you have examples of activities that, in most Member States, fall within the DMA, but believed it should not be treated as the sale of certain insurance products by companies to rent a car? Or conversely, you have examples of activities that are currently not included in the Directive, but that should be included?
What special needs arising from the Directive on financial services at a distance (DMFS) should be taken into account in the DMA II?
The fourth group of questions concerned the desirability of improving the legal framework in relation to the notification process concerning the freedom of establishment (FOE), and the free provision of services (FOS) by including the definitions on FOS and FOE in the DMA II, in order to make it easier for insurance mediation by inserting the provision for mutual recognition of professional qualifications.
Questions: Do you agree with the inclusion of the definition of freedom to provide services (FOS), as agreed in the Luxembourg Protocol of CEIOPS, in the directive DMA II? There a need to further clarify the rules on freedom of establishment (FOE) and integrate these standards into the DMA II? How can the notification process be made more efficient and useful? Do you agree that further rules on FOS and FOE should be included in the DMA II, in order to provide greater legal certainty? There are issues with regard to the general rules in relation to cross-border dimension of insurance? What problems face today's insurance intermediaries in the case of cross-border sales? As the Directive should be amended to improve the condition of assets FOE / FOS? It would be helpful in this regard integration into the DMA II CEIOPS clause of the Luxembourg Protocol on mutual recognition? Provisions similar to those contained in the Directive on electronic commerce in view of the proper use of good and transparent general rules could be integrated into the DMA II?
A fifth group of questions is dedicated to the requirements of training and is aimed at establishing common principles for the basic qualification requirements for all sellers of insurance products. In this context, it could ensure that all people in insurance companies that are responsible for the distribution of insurance, as well as all other employees directly involved in the proposed undertaking, have the knowledge and skills necessary for the performance of their duties.
Questions: What are the high-level requirements that should be considered for the knowledge and skills of all participants involved in the sale of insurance products in the differences in qualification systems in Member States? These requirements should be tailored according to the distribution channel?
In the sixth and final group of questions, the Commission is a need to make more transparent the financial promotion of life insurance products. The insurance companies or financial intermediaries offering life insurance policies (PRIPs) will necessarily ensure that the customer receives information regarding the remuneration (making clear the difference between the premium paid and the portion of the premium actually invested). The orientation is to provide remuneration structures that will have a significant impact on the ability of intermediaries to act in the best interest of the customer, structuring the remuneration so as to prevent or effectively manage conflicts of interest that may arise.
Questions: What are the practical challenges that you think should be addressed when drafting new legislation on the distribution of PRIPs insurance? What are the most important practical issues to consider when applying the benchmark MiFID PRIPs to sell?
All interested parties are invited by the Commission to answer questions posed in the consultation document. In particular it is expected that the intermediary associations are particularly active in taking part in public consultation at Community level in order to address what he has found the answer to many difficulties at national level. The invitation to be as specific as possible in their responses, illustrating the positions of concrete examples and to identify, where possible, the nature and size of the potential costs and benefits, is certainly a tempting opportunity to address the nodes of the Rules Isvap the Insurance Code and represented at the EU under the exceptional dall'Autority nostrana.
The public consultation closes on 31 January 2011. Responses should be sent to markt-h2@ec.europa.eu.
The Directorate-General of the European Commission held a public meeting to present the public consultation for the revision of the Insurance Mediation Directive, Friday, December 10, 2010, from 09:00 to 18:00 in Brussels, rue Froissart, and presence of the associations of insurance agents, insurance companies, CEIOPS and consumer groups.
Sincerely.
Paul Bullegas
Blueprints For A Wooden Air Engine
OPENING GATES - OF ACCESS'
Cases opening passages:
- The opening of a gap in the perimeter wall to the needs of the individual blocks that communicates with other units in apartment building real estate other than one covered by a condominium building is to create an easement against the foundations and structure of the building.
Cass. 02/06/2009 No 3035, Cass. 04/19/2006 No 9036
- are ineligible for the openings in the walls to Monthly Monthly comunications areas with a local copyrighted. In this case, open the gates to exit security to be assigned a local nightclub. Cass. 22.03.2001 n.4135.
Majorities required: For
establishment of servitude against the whole building: Total condominiums. Art 1108 cc 3rd paragraph - Cass. 24/02/2006, n.4258 
Cases opening passages:
- The opening of a gap in the perimeter wall to the needs of the individual blocks that communicates with other units in apartment building real estate other than one covered by a condominium building is to create an easement against the foundations and structure of the building.
Cass. 02/06/2009 No 3035, Cass. 04/19/2006 No 9036
- are ineligible for the openings in the walls to Monthly Monthly comunications areas with a local copyrighted. In this case, open the gates to exit security to be assigned a local nightclub. Cass. 22.03.2001 n.4135.
Majorities required: For
establishment of servitude against the whole building: Total condominiums. Art 1108 cc 3rd paragraph - Cass. 24/02/2006, n.4258
Thursday, December 2, 2010
North Carolina Drivers License Template
FLAVIO CERTIFIED - Aesthetics and Silence
Other 'enigmatic' Artist of the almost forgotten.
From Rome, FLAVIO Jura is an Italian singer among the finest and most misunderstood, particularly by the artist and inspired by the few commercial success.
son of a diplomat (his father was consul in Uruguay), brother of Juror Blasco (director of photography and film technician for several films, including 'Cinema Paradiso' Tornatore) and Luke Juror (journalist and television presenter nice, 'icon Gaffe' for many satirical broadcasts), Flavio began his career as Juror Author (in '74 writes for the talented Anna Melato), then decides to venture into the first person in the Songwriters and in 1978, through a contract with Ricordi Records, debuted with his first longplaying titled "For trivial reasons."
A very nice disc, a 'concept album' based on the story of a boy who lives most age groups during the 'decades' and the outbreak of World War II album by the texts sung partially in Romanesco, which tell the chronicle of life of that period when it comes to horrors and ruins, emotions, love and dating, in a strange album, passionate and brave, whose songs include "The Swift", "What do you know", "History of an inn "and the title track. Flavio
you patiently space in Italian music, original composition by way of a voice and a particular and poignant.
In 1982, after five years from the first job, thanks to Cgd released their second album, "The Diver," perhaps his most important work, drive dynamics and social atmospheres, which intersect in the Popular Song, Country, Rock and Author of Folk, with twelve songs in it, including reads, "Valterchiari", "Room of the South", "Orbetello wings and names", "catch the water" and the title track "The Diver".
Excellently composed and arranged, thanks to the program 'Mr. Fantasy', conducted by Carlo Massarini, which transmits the video during episodes of some of the songs on the disc, the abum extremely successful both critically from the commercial point of view. Flavio
Juror while doing concerts, it is still a rather 'reserved', preferring the music sung with television appearances, a true 'anomaly' in those early '80s, in which the public image began to have some relief . Juror
continues its record production in 1984, again for the CGD, public "Marco Polo", his third album, a very experimental album that sees him joined by Toto Torquati (to which I have already spent the previous post Pinzillacchere) but the operation will prove to be an unfair 'Caporetto' music when it comes to sales, this deficit is the probable cause of the rupture of relations with the label.
An album that still personally recommend to re-evaluate (it was reissued, but it is hard to find, as all his discography). Despite the silence
record lasted for all of the '90s, Flavio Juror continued to write songs and play live for the sheer pleasure of it.
In 2001, through Vitaminic, comes "The Book of singer-songwriter" and thanks to some songs such as "Ustica" and "The ufficialino", draws the attention of your audience is now lost, taking the live activity and then publishing in 2004 a live album attached to a volume of short stories by some Italian writers such as Aldo Nove and Gianrico Carofiglio inspired Singer / Songwriter of the best-known songs ('The Diver - Stories and opinions about Flavio Juror').
In 2007, the Interbeat published his last work (the title is the same as that released in 2002 for Vitaminic), in which there are songs from unreleased and some as "The Temptation", "The case Nesta" " Dinosaurs "and" Julie White, "the latter dedicated to Pasolini.
Totally absent from the media circuit and the 'delivery', FLAVIO CERTIFIED remains an important presence in the Italian Music, whose only misfortune was likely to be 'out of sync' with the spirit of that period, which was perhaps too far, then, today it is completely forgotten by the mainstream media, as often happens to those who work honestly and with passion in music, never too crear 'hype'. My beloved
Followers et Visitors, so I invite you to listen attentively to (forgive the work of 'ripping' ...), and required a fair appreciation of this very good artist.
intense authorial voice.
http://hotfile.com/dl/82236667/6d42716/FLVGRT_prftlmtv.html
'Although, exceptionally' Required http://www.megaupload. com /? d = AG595CO9
"... The resurgence has to have you as witnesses ..." 
Other 'enigmatic' Artist of the almost forgotten.
From Rome, FLAVIO Jura is an Italian singer among the finest and most misunderstood, particularly by the artist and inspired by the few commercial success.
son of a diplomat (his father was consul in Uruguay), brother of Juror Blasco (director of photography and film technician for several films, including 'Cinema Paradiso' Tornatore) and Luke Juror (journalist and television presenter nice, 'icon Gaffe' for many satirical broadcasts), Flavio began his career as Juror Author (in '74 writes for the talented Anna Melato), then decides to venture into the first person in the Songwriters and in 1978, through a contract with Ricordi Records, debuted with his first longplaying titled "For trivial reasons."
A very nice disc, a 'concept album' based on the story of a boy who lives most age groups during the 'decades' and the outbreak of World War II album by the texts sung partially in Romanesco, which tell the chronicle of life of that period when it comes to horrors and ruins, emotions, love and dating, in a strange album, passionate and brave, whose songs include "The Swift", "What do you know", "History of an inn "and the title track. Flavio
you patiently space in Italian music, original composition by way of a voice and a particular and poignant.
In 1982, after five years from the first job, thanks to Cgd released their second album, "The Diver," perhaps his most important work, drive dynamics and social atmospheres, which intersect in the Popular Song, Country, Rock and Author of Folk, with twelve songs in it, including reads, "Valterchiari", "Room of the South", "Orbetello wings and names", "catch the water" and the title track "The Diver".
Excellently composed and arranged, thanks to the program 'Mr. Fantasy', conducted by Carlo Massarini, which transmits the video during episodes of some of the songs on the disc, the abum extremely successful both critically from the commercial point of view. Flavio
Juror while doing concerts, it is still a rather 'reserved', preferring the music sung with television appearances, a true 'anomaly' in those early '80s, in which the public image began to have some relief . Juror
continues its record production in 1984, again for the CGD, public "Marco Polo", his third album, a very experimental album that sees him joined by Toto Torquati (to which I have already spent the previous post Pinzillacchere) but the operation will prove to be an unfair 'Caporetto' music when it comes to sales, this deficit is the probable cause of the rupture of relations with the label.
An album that still personally recommend to re-evaluate (it was reissued, but it is hard to find, as all his discography). Despite the silence
record lasted for all of the '90s, Flavio Juror continued to write songs and play live for the sheer pleasure of it.
In 2001, through Vitaminic, comes "The Book of singer-songwriter" and thanks to some songs such as "Ustica" and "The ufficialino", draws the attention of your audience is now lost, taking the live activity and then publishing in 2004 a live album attached to a volume of short stories by some Italian writers such as Aldo Nove and Gianrico Carofiglio inspired Singer / Songwriter of the best-known songs ('The Diver - Stories and opinions about Flavio Juror').
In 2007, the Interbeat published his last work (the title is the same as that released in 2002 for Vitaminic), in which there are songs from unreleased and some as "The Temptation", "The case Nesta" " Dinosaurs "and" Julie White, "the latter dedicated to Pasolini.
Totally absent from the media circuit and the 'delivery', FLAVIO CERTIFIED remains an important presence in the Italian Music, whose only misfortune was likely to be 'out of sync' with the spirit of that period, which was perhaps too far, then, today it is completely forgotten by the mainstream media, as often happens to those who work honestly and with passion in music, never too crear 'hype'. My beloved
Followers et Visitors, so I invite you to listen attentively to (forgive the work of 'ripping' ...), and required a fair appreciation of this very good artist.
intense authorial voice.
http://hotfile.com/dl/82236667/6d42716/FLVGRT_prftlmtv.html
'Although, exceptionally' Required http://www.megaupload. com /? d = AG595CO9
"... The resurgence has to have you as witnesses ..."
Monday, November 22, 2010
Physician's Formula Swatches
LUCIO 'VIOLIN' FABBRI - Keyword Sol
Staying in the '70s, had long wanted to pay homage to this very good artist, a true 'musician' that you do not remember enough of the deeds.
From Lombardy, Cremonese (more precisely by Cream) is a prodigious multi-instrumentalist Lucio Fabbri Italian, a real eclectic violin prodigy primarily (but also appreciated keyboardist and guitarist), who as a young man comes to the fore of the national musical chronicles, since 1973 in the Piazza delle Erbe group with which he made, along with numerous other musicians, an album inspired by a story by Edgar Allan Poe, entitled "Saltaranocchio" in 1977.
continued his career as co-producer of "sauce" in 1976, according to Eugene Kelly and beautiful album.
is nicknamed after "Violin" by his constant attachment to the instrument.
Locksmiths proceeds as forerunner to the concert together with Fabrizio De André Posies tour in 1975 and stands out in the progressive music scene of those years collaborating with Claudio Rocchi, Alan and Demetrio Stratos, Voice of the historic area, with which released the album titled "Recitarcantando", recorded live in 1978.
Right in 1978, for the historic Cramps a solo album entitled "Black Cherry", almost entirely instrumental work in which he moves easily between guitars, synthesizers and keyboards and of course the violin, creating an album with different sounds, from the experimental to the groove that is characteristic of Disco, Funk from the Prog.
vinyl, though reissued on CD but not easily findable, it will be a pleasant melting-pot (damn ... 'Englishness' ...) of styles and genres, fits perfectly, still very sought after by collectors.
Towards the end of 1979 enters the PFM, the Italian rock band, perhaps the most 'noble' of all time, during the tour in conjunction with Fabrizio De André , collaborando direttamente agli storici arrangiamenti delle sue canzoni (che manterrà per tutte le tournée successive fino alla morte del grandissimo Poeta nel 1999) .
Durante il 'plastico' decennio deli Anni '80s , continua con la PFM , facendo uscire prima l'album "Suonare suonare" (1980) , vedendosi ulteriormente impegnato a sostituirne il tastierista Flavio Premoli , stanco dei ritmi infernali imposti dalle tournée della band .
Sfruttando al meglio le sue potenzialità artistiche (violino , tastiere , chitarra e voce) partecipa in molti album , "Come ti va in riva alla città" (1981) , "Performance" (1982) , "PFM? PFM!" (1984) e "Miss Baker" (1987) fino allo scioglimento del gruppo nello stesso anno .
Negli Anni '90s Lucio Fabbri si afferma come arrangiatore e produttore di numerosi artisti , Italiani ed esteri , tra i quali Alberto Fortis , Al Jarreau , Antonella Ruggiero , Cristiano De André , Captain Sensible dei Damned , i Krisma , Dee Dee Bridgewater , Demis Roussos , Dolcenera , Enzo Jannacci , Fiorella Mannoia , Giorgio Gaber , Giorgio Conte , il futuro giallista Giorgio Faletti , Grazia Di Michele , Howard Jones , i Kaballà , Kid Creole & The Coconuts , Luca Barbarossa , i Jalisse , Massimo Ranieri , i Matt Bianco , i Matia Bazar , Max Pezzali degli 883 , Miguel Bosé , Milva , i Mungo Jerry , Nada , i Negrita , Nik Kershaw , Paola & Chiara , Paul Young , il 'born to alive' Patrick Hernandez , Pierangelo Bertoli , Rossana Casale , Roberto Vecchioni , Umberto Tozzi e Tony Hadley , leader degli Spandau Ballet ed altri ancora .
Fabbri ha inoltre realizzato le musiche di alcuni tra gli spot pubblicitari più significativi dell'ultimo ventennio .
Nel 2000 partecipa al disco "Livin' Studio" dei Bermuda Acoustic Trio .
Nel 2001, con lo pseudonimo di Flam , inserisce un brano , dal titolo "Monsoon" nella 'Chill Out' compilation "Buddha Bar IV" .
Sempre nel 2001 riprende la sua collaborazione con la PFM come special guest in studio e dal vivo , partecipando a "Live in Japan" (2002) , "Piazza del Campo" (del 2003) e "Stati di immaginazione" (2006). In 2006, the form
Slow Feet with Franz Di Ciocco, Paolo Bonfanti and Reinhold Kohl, releasing the album "Elephant's Memory," published in 2007, a selection of some of the most significant songs of the '60s Years (Who, Beatles, Stones , Cream, Hendrix etc ...) twist Blues.
In 2007 he made arrangements for all Mulino Bianco Spot, based on an original theme by Nicola Piovani.
Among his latest collaboration, presence as a session musician in "student", an album by Elio e le Storie Tese and "QPGA" album by Claudio Baglioni remake released in 2009 (part with his violin in the song "My Freedom").
sought-after conductors (In recent years has attended several editions of the Festival di Sanremo), as a truly 'factotum' of the Italian music scene, has four editions, the music director of 'X Factor', which makes all the arrangements of the musical bases, has Morgan also co-produced the album "Clearly," the EPA Aram Quartet "I do not ever forget me" Giusy Ferreri.
career Lucio "Violino" Fabbri has lots of collaboration, records, production and investments, but is not mentioned often (possibly some viewers of the program of 'X Factor', few know its true value), despite being a very good musician who has participated, enriching them with His mastery of many 'pages' music over the past decades.
reason why this should be within Pinzillacchere Music.
AscoltateVi this virtuoso musician!
The real X Factor.
http://www.megaupload.com/?d=G8HZQAT6
"... then yes, turn back to where Music is ... " 
Staying in the '70s, had long wanted to pay homage to this very good artist, a true 'musician' that you do not remember enough of the deeds. From Lombardy, Cremonese (more precisely by Cream) is a prodigious multi-instrumentalist Lucio Fabbri Italian, a real eclectic violin prodigy primarily (but also appreciated keyboardist and guitarist), who as a young man comes to the fore of the national musical chronicles, since 1973 in the Piazza delle Erbe group with which he made, along with numerous other musicians, an album inspired by a story by Edgar Allan Poe, entitled "Saltaranocchio" in 1977.
continued his career as co-producer of "sauce" in 1976, according to Eugene Kelly and beautiful album.
is nicknamed after "Violin" by his constant attachment to the instrument.
Locksmiths proceeds as forerunner to the concert together with Fabrizio De André Posies tour in 1975 and stands out in the progressive music scene of those years collaborating with Claudio Rocchi, Alan and Demetrio Stratos, Voice of the historic area, with which released the album titled "Recitarcantando", recorded live in 1978.
Right in 1978, for the historic Cramps a solo album entitled "Black Cherry", almost entirely instrumental work in which he moves easily between guitars, synthesizers and keyboards and of course the violin, creating an album with different sounds, from the experimental to the groove that is characteristic of Disco, Funk from the Prog.
vinyl, though reissued on CD but not easily findable, it will be a pleasant melting-pot (damn ... 'Englishness' ...) of styles and genres, fits perfectly, still very sought after by collectors.
Towards the end of 1979 enters the PFM, the Italian rock band, perhaps the most 'noble' of all time, during the tour in conjunction with Fabrizio De André , collaborando direttamente agli storici arrangiamenti delle sue canzoni (che manterrà per tutte le tournée successive fino alla morte del grandissimo Poeta nel 1999) .
Durante il 'plastico' decennio deli Anni '80s , continua con la PFM , facendo uscire prima l'album "Suonare suonare" (1980) , vedendosi ulteriormente impegnato a sostituirne il tastierista Flavio Premoli , stanco dei ritmi infernali imposti dalle tournée della band .
Sfruttando al meglio le sue potenzialità artistiche (violino , tastiere , chitarra e voce) partecipa in molti album , "Come ti va in riva alla città" (1981) , "Performance" (1982) , "PFM? PFM!" (1984) e "Miss Baker" (1987) fino allo scioglimento del gruppo nello stesso anno .
Negli Anni '90s Lucio Fabbri si afferma come arrangiatore e produttore di numerosi artisti , Italiani ed esteri , tra i quali Alberto Fortis , Al Jarreau , Antonella Ruggiero , Cristiano De André , Captain Sensible dei Damned , i Krisma , Dee Dee Bridgewater , Demis Roussos , Dolcenera , Enzo Jannacci , Fiorella Mannoia , Giorgio Gaber , Giorgio Conte , il futuro giallista Giorgio Faletti , Grazia Di Michele , Howard Jones , i Kaballà , Kid Creole & The Coconuts , Luca Barbarossa , i Jalisse , Massimo Ranieri , i Matt Bianco , i Matia Bazar , Max Pezzali degli 883 , Miguel Bosé , Milva , i Mungo Jerry , Nada , i Negrita , Nik Kershaw , Paola & Chiara , Paul Young , il 'born to alive' Patrick Hernandez , Pierangelo Bertoli , Rossana Casale , Roberto Vecchioni , Umberto Tozzi e Tony Hadley , leader degli Spandau Ballet ed altri ancora .
Fabbri ha inoltre realizzato le musiche di alcuni tra gli spot pubblicitari più significativi dell'ultimo ventennio .
Nel 2000 partecipa al disco "Livin' Studio" dei Bermuda Acoustic Trio .
Nel 2001, con lo pseudonimo di Flam , inserisce un brano , dal titolo "Monsoon" nella 'Chill Out' compilation "Buddha Bar IV" .
Sempre nel 2001 riprende la sua collaborazione con la PFM come special guest in studio e dal vivo , partecipando a "Live in Japan" (2002) , "Piazza del Campo" (del 2003) e "Stati di immaginazione" (2006). In 2006, the form
Slow Feet with Franz Di Ciocco, Paolo Bonfanti and Reinhold Kohl, releasing the album "Elephant's Memory," published in 2007, a selection of some of the most significant songs of the '60s Years (Who, Beatles, Stones , Cream, Hendrix etc ...) twist Blues.
In 2007 he made arrangements for all Mulino Bianco Spot, based on an original theme by Nicola Piovani.
Among his latest collaboration, presence as a session musician in "student", an album by Elio e le Storie Tese and "QPGA" album by Claudio Baglioni remake released in 2009 (part with his violin in the song "My Freedom").
sought-after conductors (In recent years has attended several editions of the Festival di Sanremo), as a truly 'factotum' of the Italian music scene, has four editions, the music director of 'X Factor', which makes all the arrangements of the musical bases, has Morgan also co-produced the album "Clearly," the EPA Aram Quartet "I do not ever forget me" Giusy Ferreri.
career Lucio "Violino" Fabbri has lots of collaboration, records, production and investments, but is not mentioned often (possibly some viewers of the program of 'X Factor', few know its true value), despite being a very good musician who has participated, enriching them with His mastery of many 'pages' music over the past decades.
reason why this should be within Pinzillacchere Music.
AscoltateVi this virtuoso musician!
The real X Factor.
http://www.megaupload.com/?d=G8HZQAT6
"... then yes, turn back to where Music is ... "
Wednesday, November 17, 2010
Example Of Letter To Wedding Guests
Daniele Davoli - Sex Appeal 70
proceed in musical research characters 'forgotten', often deprived of glory and success.
The '70s were a period of Italian history is rich in new genres and styles, musicians, singers, maybe then established over the years. That same decade
'product', in addition to the usual 'Meteor' real, even the original artists, talented and deserving, but much less fortunate and celebrated.
From Pisa, the beautiful young Daniele Davoli, will be one of the most interesting and sexy national music scene of the '70s. Even as a young
approaches the world of the Song (as Anny Fiorillo) thus beginning 'to make numerous competitions in one of these get of personal art awards, winning the 'Trophy Davoli' that proposes new musical trends.
In 1974, his record label, Aris, was contacted directly by Pier Paolo Pasolini and Dacia Maraini to fit in the Italian texts of two songs from the soundtrack of a film by Dusan Makajev titled "Sweet Movie" film which dealt with the struggles of the anarchist and social rebellion of the children of Eastern European countries. After numerous auditions
played by different performers, the record company decided that the best interpretation was to Anny Fiorillo.
You think, 'just to throw in the musical firmament and it was decided to change the name of art Daniela Davoli, thanks to the' Trophy Davoli 'in which he had brought to light.
the 45 came out 'in late '74 and contained "The guy down' in 'and' There is perhaps life on earth." This collaboration so
'prestigious attracted' the attention of the press and the public, given the voice of Clark, expressive and powerful at the same time. Then Daniel is called in to record two songs that will be included in the film "The movement that I love so much."
The music of these songs are written by Manuel De Sica and these two songs are also included in the album of the soundtrack of the film.
In 1975, his producer Aldo Pomilia produces in a subsequent single titled "A thousand times a woman" that Daniel and 'also the author, resulting in a moderate commercial success.
His songs melodic, romantic and dealing with issues related to the feminist movement in the same year he released a new 45 rpm containing the song "Tell me why '" sung in Roman dialect spoken of the difficulties and that' economic a couple living in a squalid apartment in the suburbs.
summer of '75, Daniela returned to the recording studio to record one of his most 'beautiful songs "Two lovers do'" with which become very successful selling the same piece receives the same success in the Iberian Market and South America.
few months later he released his first album "In a lot of love" which is extracted from a new single "If I like you" who wins re-ranking.
In 1977 he took part in the Sanremo Festival with the song "But with you" written in tandem with Pearl Jam, authors in search of fame and his team mate record.
This song and 'certainly one of the most' beautiful in this edition, but has the misfortune to collide with the winning song (it will be the year of the groups with Homo sapiens, Collages and Santo California in the top positions).
That same year he proposed to the public with a new single "I wonder 'what are you looking" and towards the end of the year, third 45 laps "Warrior One Nights", with the collaboration of Christian Malgioglio disk stazionera' Rank for several weeks. In early
1978 he released his second album "Mia" contains some notable songs, including "Out of my love" by Malgioglio "Kiss" by Pino Presti, "Routine" by Roberto Carlos and "Hurry."
is extracted from the same album of the same name his new single "Mia".
Both the single and album sales will be discreet, even in Germany the album will get 'a great success and will be' released by Polydor.
The same label publish 'for the German market, the single "Mad About You" already' in the album "Mia".
During his career, Daniela Davoli also participates in the 'Festivalbar', 'A Hard for Summer', 'Vote the Voice', getting more placements rewarding.
Meanwhile, the artist performs concerts in several foreign countries.
The following year, in 1979, after having gained some notoriety and also its beauty, Daniela tries his hand as an actress of soap operas for seguitissima tested at the time, like 'Grand Hotel', 'Release' and 'Kiss'.
After signing a contract with Daniel Spray Disc Records, distributed by EMI, returning to record the last single of his career, "Uncertainties of Love" (1980), with the collaboration of Daniel Sentacruz Ensemble, achieving little success although the song is more than valid.
This single pear 'is poorly distributed and poorly supported, given the almost total absence promotion of radio and television.
in 1982 with singer-songwriter Antonio Berti, sings during a tour in Mexico City, in a famous club 'El Senorial', where a great success, participating in television, while in the same year made a tour around Italian, always flanked by Antonio Berti.
After marriage in 1987, he decided to end his career, finally leaving the scene, no longer participate in any radio and television broadcasting.
After years of absence, he returns to the stage, the 'Roma Edge Festival' to lead and interpret the songs of Pasolini, from her first disc.
With a recording career after all short but dignified and with some success behind him, Daniele Davoli was a good example of Songwriter 70's, sometimes committed by the texts and the powerful voice and sensual, melodic and romantic, also aided by a beautiful image who knew how to disentangle the infernal world Italian music industry, managing for some time to establish itself artistically.
Your complete 'withdrawal' from the music and the TV and the like (print, radio, etc ...), his refusal to volunteer in the 'presence' to the many programs of mold 'revivalist' of recent years, have probably facilitated ' fall 'into oblivion, and infinite in the usual 'Forgotten' people.
a shame.
advantage then, my trusted followers Visitors y, and the Voice ascoltatene (... pardon the work of 'ripping'...), as usual without preconditions reluctance, will discover that some female voices' current' may have drawn , perhaps unconsciously, from this talented artist and now rarely celebrated.
Bella Soul.
http://www.megaupload.com/?d=5AIS5NEY
"... the story begins, I have no memory ..." 
proceed in musical research characters 'forgotten', often deprived of glory and success. The '70s were a period of Italian history is rich in new genres and styles, musicians, singers, maybe then established over the years. That same decade
'product', in addition to the usual 'Meteor' real, even the original artists, talented and deserving, but much less fortunate and celebrated.
From Pisa, the beautiful young Daniele Davoli, will be one of the most interesting and sexy national music scene of the '70s. Even as a young
approaches the world of the Song (as Anny Fiorillo) thus beginning 'to make numerous competitions in one of these get of personal art awards, winning the 'Trophy Davoli' that proposes new musical trends.
In 1974, his record label, Aris, was contacted directly by Pier Paolo Pasolini and Dacia Maraini to fit in the Italian texts of two songs from the soundtrack of a film by Dusan Makajev titled "Sweet Movie" film which dealt with the struggles of the anarchist and social rebellion of the children of Eastern European countries. After numerous auditions
played by different performers, the record company decided that the best interpretation was to Anny Fiorillo.
You think, 'just to throw in the musical firmament and it was decided to change the name of art Daniela Davoli, thanks to the' Trophy Davoli 'in which he had brought to light.
the 45 came out 'in late '74 and contained "The guy down' in 'and' There is perhaps life on earth." This collaboration so
'prestigious attracted' the attention of the press and the public, given the voice of Clark, expressive and powerful at the same time. Then Daniel is called in to record two songs that will be included in the film "The movement that I love so much."
The music of these songs are written by Manuel De Sica and these two songs are also included in the album of the soundtrack of the film.
In 1975, his producer Aldo Pomilia produces in a subsequent single titled "A thousand times a woman" that Daniel and 'also the author, resulting in a moderate commercial success.
His songs melodic, romantic and dealing with issues related to the feminist movement in the same year he released a new 45 rpm containing the song "Tell me why '" sung in Roman dialect spoken of the difficulties and that' economic a couple living in a squalid apartment in the suburbs.
summer of '75, Daniela returned to the recording studio to record one of his most 'beautiful songs "Two lovers do'" with which become very successful selling the same piece receives the same success in the Iberian Market and South America.
few months later he released his first album "In a lot of love" which is extracted from a new single "If I like you" who wins re-ranking.
In 1977 he took part in the Sanremo Festival with the song "But with you" written in tandem with Pearl Jam, authors in search of fame and his team mate record.
This song and 'certainly one of the most' beautiful in this edition, but has the misfortune to collide with the winning song (it will be the year of the groups with Homo sapiens, Collages and Santo California in the top positions).
That same year he proposed to the public with a new single "I wonder 'what are you looking" and towards the end of the year, third 45 laps "Warrior One Nights", with the collaboration of Christian Malgioglio disk stazionera' Rank for several weeks. In early
1978 he released his second album "Mia" contains some notable songs, including "Out of my love" by Malgioglio "Kiss" by Pino Presti, "Routine" by Roberto Carlos and "Hurry."
is extracted from the same album of the same name his new single "Mia".
Both the single and album sales will be discreet, even in Germany the album will get 'a great success and will be' released by Polydor.
The same label publish 'for the German market, the single "Mad About You" already' in the album "Mia".
During his career, Daniela Davoli also participates in the 'Festivalbar', 'A Hard for Summer', 'Vote the Voice', getting more placements rewarding.
Meanwhile, the artist performs concerts in several foreign countries.
The following year, in 1979, after having gained some notoriety and also its beauty, Daniela tries his hand as an actress of soap operas for seguitissima tested at the time, like 'Grand Hotel', 'Release' and 'Kiss'.
After signing a contract with Daniel Spray Disc Records, distributed by EMI, returning to record the last single of his career, "Uncertainties of Love" (1980), with the collaboration of Daniel Sentacruz Ensemble, achieving little success although the song is more than valid.
This single pear 'is poorly distributed and poorly supported, given the almost total absence promotion of radio and television.
in 1982 with singer-songwriter Antonio Berti, sings during a tour in Mexico City, in a famous club 'El Senorial', where a great success, participating in television, while in the same year made a tour around Italian, always flanked by Antonio Berti.
After marriage in 1987, he decided to end his career, finally leaving the scene, no longer participate in any radio and television broadcasting.
After years of absence, he returns to the stage, the 'Roma Edge Festival' to lead and interpret the songs of Pasolini, from her first disc.
With a recording career after all short but dignified and with some success behind him, Daniele Davoli was a good example of Songwriter 70's, sometimes committed by the texts and the powerful voice and sensual, melodic and romantic, also aided by a beautiful image who knew how to disentangle the infernal world Italian music industry, managing for some time to establish itself artistically.
Your complete 'withdrawal' from the music and the TV and the like (print, radio, etc ...), his refusal to volunteer in the 'presence' to the many programs of mold 'revivalist' of recent years, have probably facilitated ' fall 'into oblivion, and infinite in the usual 'Forgotten' people.
a shame.
advantage then, my trusted followers Visitors y, and the Voice ascoltatene (... pardon the work of 'ripping'...), as usual without preconditions reluctance, will discover that some female voices' current' may have drawn , perhaps unconsciously, from this talented artist and now rarely celebrated.
Bella Soul.
http://www.megaupload.com/?d=5AIS5NEY
"... the story begins, I have no memory ..."
Thursday, November 11, 2010
Alan42 Modulation Mods
HYPNODANCE - Inner Blues
Another interesting independent historical project 'lost' '80s.
The HYPNODANCE were a group of so-called 'Florentine Renaissance Rock', with influences ranging from Rhythm'n'Blues the Soul, from the New Wave Psychedelic Rock to Classical.
The band began as a training 'studio' and debut album in Florence in 1984 at the initiative of Ernesto De Pascale, and Sergio and Alex Salaorni Gianni Raimondi, leaving the sign up to the early years of the new century.
Hypnodance has always been characteristic of the literate, high technical expertise, well protected by an infinite 'Culture' ed una visione a 360° in campo musicale .
La loro discografia ha diversi dischi all’attivo (un EP nel 1984 , un 45 giri dal titolo "Psichedelic Blue" nel 1986 , un album omonimo nel 1989 ed un 12 pollici , "In the city" nel 1990) , escluso il 45 giri autoprodotto , tutti vinili 'griffati' Contempo Records .
Gli Hypnodance , per tutti gli anni '80 , hanno 'maturato' nelle proprie fila molti importanti musicisti del decennio successivo : dal tastierista Francesco Gazzara (antesignano e punta di diamante del genere Acid Jazz in Italia) , ai sassofonisti Dario Cecchini (con Jovanotti , Funk Off) e Simone Santini (Funky Company) al pianista Jazz Alessandro Galati , dal percussionista Stefano Focacci (apprezzato suonatore di didjeridoo) al batterista Daniele Trambusti (già Bella Band e poi con Litfiba) , fino ai due 'co-leader' con Ernesto De Pascale (ex leader dei Lightshine , 'deus ex machina' ed affermato giornalista ed 'intenditore' di Musica) cioè Roberto Terzani (già con i Windopen , poi con i Litfiba ed il 'solista' Piero Pelù) e Massimo Altomare (già proposto in un post a settembre , storica metà del duo con Checco Loy , ricordato per il suo album “Il Grande Ritmo dei Treni Neri” nel '88 , in cui compare tutto il gruppo degli Hypnodance al completo) .
Il 'triumvirato' De Pascale , Terzani e Altomare costituì tra il 1988 e il 1990 un trio perfetto e ben compensato , che si impose sulle scene , partecipando a diversi programmi e trasmissioni , sia in radio che in tv , dopo un tempo di 'rodaggio' per la formazione con più di un centinaio di concerti in due soli anni e le registrazioni dei dischi del gruppo e di Altomare solista .
Nel 1990 l'attività degli Hypnodance è stata ufficiosamente interrotta per favorire il passaggio di Trambusti e Terzani nei Litfiba .
I restanti musicisti del gruppo , De Pascale , Gazzara e Salaorni , hanno mantenuto vivo lo spirito del gruppo e continuato a sperimentare in autonomia .
L’interesse risorto nelle attività creative degli anni '80 a Firenze , la mostra 'A Weekend Post Modern' in February 2002, of which De Pascale was the editor, the anthology called "Firenze Sogna" and "London Dreams # 2" for the Sound Materials, the book''Years of Music vol.1 ( 1960-1990)''and''the next volume vol.2 Years of Music,''has led to a renewed interest in the band and a subsequent reunion.
In 2003, the reunion takes place Hypnodance project, led by Ernesto De Pascale, Gianni Salaorni, Raimondi and bassist Alex James Henry Downes, along with newcomer Giulia Nuti, has undertaken many projects at once, like recording a song for a U.S. West Coast tribute to the music of the '60s, the group chose Fiorentino "Get Together" by Chet Powers (aka Dino Valente), brought to success in '68 by the Youngbloods ('replicated' in Italian for our market from New York City folksinger of the Youngbloods, Jesse Colin Young, with the unlikely title of "If someone tells me," very rare 45 laps of the '69).
In 2007, thanks to the People of the Blues (label and website) and sound material, De Pascale released his first solo album, entitled "Morning Manic Music" album mainly Folk (with strong references with Fairport Convention), a small masterpiece of balance and authenticity.
Lacrimosa die.
On 13.02.2011 at the age of 53 years, on his birthday, has left Ernesto De Pascale, HYPNODANCE leader and voice of 'historical' Stereonotte Rai, a leading independent producer and music journalist Italian, one of the main architects and promoters of the Rock in Florence 80s, who had continued with dedication and commitment to its relationship with the youth and passion for music.
De Profundis.
Bluesy Passion from the '80s.
http://www.megaupload.com/?d=H1FR4VZ4
"... my sweet sixteen will never regret ..." 
Another interesting independent historical project 'lost' '80s. The HYPNODANCE were a group of so-called 'Florentine Renaissance Rock', with influences ranging from Rhythm'n'Blues the Soul, from the New Wave Psychedelic Rock to Classical.
The band began as a training 'studio' and debut album in Florence in 1984 at the initiative of Ernesto De Pascale, and Sergio and Alex Salaorni Gianni Raimondi, leaving the sign up to the early years of the new century.
Hypnodance has always been characteristic of the literate, high technical expertise, well protected by an infinite 'Culture' ed una visione a 360° in campo musicale .
La loro discografia ha diversi dischi all’attivo (un EP nel 1984 , un 45 giri dal titolo "Psichedelic Blue" nel 1986 , un album omonimo nel 1989 ed un 12 pollici , "In the city" nel 1990) , escluso il 45 giri autoprodotto , tutti vinili 'griffati' Contempo Records .
Gli Hypnodance , per tutti gli anni '80 , hanno 'maturato' nelle proprie fila molti importanti musicisti del decennio successivo : dal tastierista Francesco Gazzara (antesignano e punta di diamante del genere Acid Jazz in Italia) , ai sassofonisti Dario Cecchini (con Jovanotti , Funk Off) e Simone Santini (Funky Company) al pianista Jazz Alessandro Galati , dal percussionista Stefano Focacci (apprezzato suonatore di didjeridoo) al batterista Daniele Trambusti (già Bella Band e poi con Litfiba) , fino ai due 'co-leader' con Ernesto De Pascale (ex leader dei Lightshine , 'deus ex machina' ed affermato giornalista ed 'intenditore' di Musica) cioè Roberto Terzani (già con i Windopen , poi con i Litfiba ed il 'solista' Piero Pelù) e Massimo Altomare (già proposto in un post a settembre , storica metà del duo con Checco Loy , ricordato per il suo album “Il Grande Ritmo dei Treni Neri” nel '88 , in cui compare tutto il gruppo degli Hypnodance al completo) .
Il 'triumvirato' De Pascale , Terzani e Altomare costituì tra il 1988 e il 1990 un trio perfetto e ben compensato , che si impose sulle scene , partecipando a diversi programmi e trasmissioni , sia in radio che in tv , dopo un tempo di 'rodaggio' per la formazione con più di un centinaio di concerti in due soli anni e le registrazioni dei dischi del gruppo e di Altomare solista .
Nel 1990 l'attività degli Hypnodance è stata ufficiosamente interrotta per favorire il passaggio di Trambusti e Terzani nei Litfiba .
I restanti musicisti del gruppo , De Pascale , Gazzara e Salaorni , hanno mantenuto vivo lo spirito del gruppo e continuato a sperimentare in autonomia .
L’interesse risorto nelle attività creative degli anni '80 a Firenze , la mostra 'A Weekend Post Modern' in February 2002, of which De Pascale was the editor, the anthology called "Firenze Sogna" and "London Dreams # 2" for the Sound Materials, the book''Years of Music vol.1 ( 1960-1990)''and''the next volume vol.2 Years of Music,''has led to a renewed interest in the band and a subsequent reunion.
In 2003, the reunion takes place Hypnodance project, led by Ernesto De Pascale, Gianni Salaorni, Raimondi and bassist Alex James Henry Downes, along with newcomer Giulia Nuti, has undertaken many projects at once, like recording a song for a U.S. West Coast tribute to the music of the '60s, the group chose Fiorentino "Get Together" by Chet Powers (aka Dino Valente), brought to success in '68 by the Youngbloods ('replicated' in Italian for our market from New York City folksinger of the Youngbloods, Jesse Colin Young, with the unlikely title of "If someone tells me," very rare 45 laps of the '69).
In 2007, thanks to the People of the Blues (label and website) and sound material, De Pascale released his first solo album, entitled "Morning Manic Music" album mainly Folk (with strong references with Fairport Convention), a small masterpiece of balance and authenticity.
Lacrimosa die.
On 13.02.2011 at the age of 53 years, on his birthday, has left Ernesto De Pascale, HYPNODANCE leader and voice of 'historical' Stereonotte Rai, a leading independent producer and music journalist Italian, one of the main architects and promoters of the Rock in Florence 80s, who had continued with dedication and commitment to its relationship with the youth and passion for music.
De Profundis.
Bluesy Passion from the '80s.
http://www.megaupload.com/?d=H1FR4VZ4
"... my sweet sixteen will never regret ..."
Sunday, November 7, 2010
Jeep Liberty License Plate Mount
metti un finocchio a cena..
I confess that I did not write of this story, one of the usual dismal attempts of the half notch largest the past 150 years to throw mud on others to take second place to the dirt that is found on him.
Enemies me I choose and in virtue of this choice to recognize them a sort of dignity: I can apply only to certain other indifference because for me it is not worth anything and I consider them as such, it is also why I did not want to write of this fact.
I decided to do it because I received an invitation to participate in a dissent through an initiative created specifically for this.
Some of you already know that besides this blog I I have another specifically designed to give voice to my passion as a chef messy, LaCaloriaSolitaria , created just over a year ago after quite a while 'of time hanging out in the world of food bloggers as simple fan and occasional commentator.
I discovered a world I did not expect huge numbers that runs under many points of view, but especially where it creates a kind of complicity between the various bloggers, depending on the line: it affects the desire to share that is not only an exchange of simple recipes because they become a conduit for cultural exchange and human, in some cases is very deep and intense.
The type of people that make up this category of bloggers is quite diverse, ranging from home with the kids finally are pensioner who has time to cultivate his passion in more detail, from the novice to the kitchen for food service professionals. It 'a very interesting cross-section of society who share a passion for food and cooking.
one of these people are playing the 'initiative called "Put fennel dinner - Enjoy Mister B. "
inviting all food bloggers and anyone who wants to propose to attend the 10th November a recipe fennel as an ingredient to be used to symbolically express their disagreement with this fact di cronaca specifico e più in generale contro un clima di omofobia che diventa sempre più intollerabile.
Io ho deciso di appoggiarlo perché parte dal basso , da quella base fatta di persone comuni che molto spesso temiamo non siano per nulla sensibili alla nostra causa. Evidentemente il limite è stato oltrepassato anche per loro. Questo post era per segnalarvi l'iniziativa, quello specifico lo pubblicherò nell'altro blog il giorno mercoledì 10 novembre 2010.
Thursday, November 4, 2010
Poptropica For Adults
EIGHTH HALL - La Folie
Approaching prophetically 'feared' Anno Domini 2000, we meet one of the most brilliant and eclectic Italian band of the millennium.
From Livorno, the arrivals hall EIGHTH crazy like a meteor, a melting pot of sounds that blend well Folk, Reggae, Dub, Punk, Pop and so much hate / love song writing, like their fellow countryman Piero Ciampi, former in one of the first post of Musical Pinzillacchere.
Led by Roberto 'Bobo' Rondelli, a former member of the trio Les Bijoux, a face and a voice actor in the 50s hot and powerful, the group (with Simone Padovani on drums, Simon on bass, and Fabrizio Brilli Luti on guitar) draws its name from the local health, more specifically, the sadly infamous Department of Psychiatry of the city of Livorno.
The reputation of the first group is growing in Tuscany, then thanks to an intense activity on stage, crosses the boundaries of the region and the group begins to be well known.
In 1993, thanks to the encounter between Pirelli and Rondelli, producer of Litfiba, EMI Music produced their first album, with more than a success in sales (around thirty thousand copies) of the CD and the great satisfaction of the group.
The title of the album is its "Eighth Pavilion", the album contains one of the single best-known group that opens its doors, "I hit his head," refrain from the irresistible catchy pop song, which is passed very often for radio both as a video clip.
The disc is made entirely by Fabrizio IRA Soundlab Simoncioni participating in the work even as a chorister. Continuing the
concerts far and wide to the Peninsula (the group has gained considerable experience by opening concerts of artists like Bob Dylan, Nick Cave & The Bad Seeds, Willy DeVille).
in 1995 following an album through Universal Music who "misplaced", in which maramaldeggiano violins and accordions in large doses, biting and provocative texts, as in "Overdose Adventure" on drugs, along with songs like "Gimme Money, "" You went away, "the lead single," Julius "and" From the balcony, "a disc that contains current social problems and neuroses, told and music so unconventional and bizarre.
In 1999 he released "To Reggae," the Arroyo indielabel Records, showing a change of gear for Rondelli & Co., alongside Dennis Bovell, famous character Reggae production, producing on this album sounds exactly Reggae, without forgetting its origins 'popular'.
The band has found new friends and associates including the aforementioned Dennis Bovell, Linton Kwesi Johnson's former bassist, Roy Paci, Mau Mau for the wind and Manu Chao.
The disc consists of greatest hits, songs of the immortal Italian tradition as "A Year of Love" (Nino Ferrer and led to success, from Mina), "A day at the beach" (by Elvis) and "Night of waning moon "(Domenico Modugno) paired with revised and corrected versions of beautiful foreign songs like" A I do not know where "(cover" A New England "by Billy Bragg) and" Where you go "(cover of "Guns Of Brixton" from "London Calling" Clash of the legendary). Honours
near and far for tradition and atmosphere, but united by the style and verve of the Eighth Pavilion, with a 'new look' for the occasion.
a long history and unique group that Livornese, from their inception in '91, only a local success, year after year, the Eighth Pavilion rose to national fame.
Their first releases were a real theatrical and musical events, a foray of words, provocation and fun in the name of the most visceral, blood-Livorno Tuscan culture.
Over time, the main characteristic of the group was the inability of 'rating' in any specific genre.
Their latest work is the 2003, a beautiful double album that contains a 'Greatest Hits' (from the title "Best in the beast") and a CD of unreleased, "Last Madness," all produced by Nicola Zaccardi to label Arroyo Records.
Their activity is apparently over, with Bobo Rondelli solo that continues the work of confidential Chansonnier 'tres charmant' rightly appreciated today (likely a future post in this blog ...), with already a number of excellent albums in his career . The EIGHTH HALL
have always been a loose cannon in the Italian music scene, a disenchanted contemporary society , Contemptuous of the 'danger', 'red' between the 'reds', shrewdly 'Leghorn' in terms of humor, unparalleled.
One of the best bands of the '90s decade weblog. Dear Visitors
and my loyal followers, et listen Enjoy it in all their boldness and kindness.
Livorno Calling.
http://www.megaupload.com/?d=LPJEDEY4
"... it is because they are wrong, everyone will benefit ..." 
Approaching prophetically 'feared' Anno Domini 2000, we meet one of the most brilliant and eclectic Italian band of the millennium. From Livorno, the arrivals hall EIGHTH crazy like a meteor, a melting pot of sounds that blend well Folk, Reggae, Dub, Punk, Pop and so much hate / love song writing, like their fellow countryman Piero Ciampi, former in one of the first post of Musical Pinzillacchere.
Led by Roberto 'Bobo' Rondelli, a former member of the trio Les Bijoux, a face and a voice actor in the 50s hot and powerful, the group (with Simone Padovani on drums, Simon on bass, and Fabrizio Brilli Luti on guitar) draws its name from the local health, more specifically, the sadly infamous Department of Psychiatry of the city of Livorno.
The reputation of the first group is growing in Tuscany, then thanks to an intense activity on stage, crosses the boundaries of the region and the group begins to be well known.
In 1993, thanks to the encounter between Pirelli and Rondelli, producer of Litfiba, EMI Music produced their first album, with more than a success in sales (around thirty thousand copies) of the CD and the great satisfaction of the group.
The title of the album is its "Eighth Pavilion", the album contains one of the single best-known group that opens its doors, "I hit his head," refrain from the irresistible catchy pop song, which is passed very often for radio both as a video clip.
The disc is made entirely by Fabrizio IRA Soundlab Simoncioni participating in the work even as a chorister. Continuing the
concerts far and wide to the Peninsula (the group has gained considerable experience by opening concerts of artists like Bob Dylan, Nick Cave & The Bad Seeds, Willy DeVille).
in 1995 following an album through Universal Music who "misplaced", in which maramaldeggiano violins and accordions in large doses, biting and provocative texts, as in "Overdose Adventure" on drugs, along with songs like "Gimme Money, "" You went away, "the lead single," Julius "and" From the balcony, "a disc that contains current social problems and neuroses, told and music so unconventional and bizarre.
In 1999 he released "To Reggae," the Arroyo indielabel Records, showing a change of gear for Rondelli & Co., alongside Dennis Bovell, famous character Reggae production, producing on this album sounds exactly Reggae, without forgetting its origins 'popular'.
The band has found new friends and associates including the aforementioned Dennis Bovell, Linton Kwesi Johnson's former bassist, Roy Paci, Mau Mau for the wind and Manu Chao.
The disc consists of greatest hits, songs of the immortal Italian tradition as "A Year of Love" (Nino Ferrer and led to success, from Mina), "A day at the beach" (by Elvis) and "Night of waning moon "(Domenico Modugno) paired with revised and corrected versions of beautiful foreign songs like" A I do not know where "(cover" A New England "by Billy Bragg) and" Where you go "(cover of "Guns Of Brixton" from "London Calling" Clash of the legendary). Honours
near and far for tradition and atmosphere, but united by the style and verve of the Eighth Pavilion, with a 'new look' for the occasion.
a long history and unique group that Livornese, from their inception in '91, only a local success, year after year, the Eighth Pavilion rose to national fame.
Their first releases were a real theatrical and musical events, a foray of words, provocation and fun in the name of the most visceral, blood-Livorno Tuscan culture.
Over time, the main characteristic of the group was the inability of 'rating' in any specific genre.
Their latest work is the 2003, a beautiful double album that contains a 'Greatest Hits' (from the title "Best in the beast") and a CD of unreleased, "Last Madness," all produced by Nicola Zaccardi to label Arroyo Records.
Their activity is apparently over, with Bobo Rondelli solo that continues the work of confidential Chansonnier 'tres charmant' rightly appreciated today (likely a future post in this blog ...), with already a number of excellent albums in his career . The EIGHTH HALL
have always been a loose cannon in the Italian music scene, a disenchanted contemporary society , Contemptuous of the 'danger', 'red' between the 'reds', shrewdly 'Leghorn' in terms of humor, unparalleled.
One of the best bands of the '90s decade weblog. Dear Visitors
and my loyal followers, et listen Enjoy it in all their boldness and kindness.
Livorno Calling.
http://www.megaupload.com/?d=LPJEDEY4
"... it is because they are wrong, everyone will benefit ..."
Monday, November 1, 2010
What Causes A Sudden Cough
USUFRUCT - Costs incurred dall'usufruttuario
Trib Roma, sez. V, 31.05.10, n.12356
The case
The usufructuary in nature for life as owner of a property right temporary, from the bare owner may not claim reimbursement of costs incurred to perform in this extraordinary building repairs. Eventually, with the death usufructuary, the assignees are entitled to reimbursement of expenses under Code 1006. Civ.
Trib Roma, sez. V, 31.05.10, n.12356
The case
The tenant of an apartment before the rejection of the bare owner to run a series of repairs straordinarie (sostitzione radiatori, rifacmento dei celetti in legno, adeguamento impianto elettrico), in ragione dell'urgenza di detti lavori provvede lui stesso ad eseguirli. Successivamente adisce il competente tribunale per ottenenere coattivamente la restituzione di quanto sborsato oltre la condanna di controparte ai danni ex art. 2043 cod. civ.
Il tribunale dopo aver qualificato detti lavori nell'alveo delle riparazioni straordinarie, ha tuttavia respinto la pretesa attorea, quanto alla prima richiesta, per difetto di presupposti di legge ex art. 1006 cod. civ., mentre la seconda per insussistenza di un danno risarcibile.
I lavori eseguiti vengono inquadrati nell'ambito dell'art. 1105 cod. civ. in quanto devesi stimare tale ogni opera che comporta la sostituzione di entità preesistenti, ma ormai inefficienti con altre pienamente efficienti.
Nella divisione degli oneri si spesa fra nudo proprietario e usufruttuario non è dirimente la distinzione tra "manutenzione" e "riparazione" bensì la qualità di "straordinaria" e "ordinaria" dell'opera o dell'attività da compiere, attenendo la prima alla prevenzione o eliminazione di deterioramenti del bene immobile, attenendo la seconda alla mera conservazione del bene.
Gli artt. 1005 e 1006 cod. civ. ispirandosi al criterio che le opere di riparazione straordinaria giovano anche all'usufruttuario, in quanto la conservazione del bene contributes to the production of income, have absolutely that if the expenses were incurred for these works dall'usufruttuario they must be repeated only at the end of the usufruct.
So in practice soo usufructuary's successors, after the death of that are entitled to require the bare owner was the reimbursement of expenses incurred at the time from its predecessor.
Are Myammees Boobs Real
OBLIGATIONS OF LANDLORD - INFILTRATION OF WATER IN AN APARTMENT BUILDING BELONGING
If nell'mmobile use of the leased premises become unusable due to infiltration of water from parts of the building, there be the principal obligation of the lessor in order to maintain the rented property in a state use to serve convenuto.
Cass., sent.III, 28.06.2010, n. 15372
Il Caso
Il conduttore aveva chiesto la condanna del locatore al risarcimento dei danni per il fatto che locali oggetto del contratto di locazione erano divenuti inagibili per infiltrazioni di acqua. I giudici di merito avevano rigettatola domanda.
La Corte di Cass. ha accolto il ricorso ribadendo il principio secondo il quale durante il rapporto di locazione il locatore non può considerarsi dispensato dall'obbligo di vigilanza e di custodia della cosa locata sia per la parte dell'immobile di sua esclusiva proprietà both sides of the building, in this case the roof, it is an obligation to those closely connected with its load of repair and maintenance of the leased property, indicating how the previous sent. cass. 8.09.78 No 3933.
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